Frederic Gruger Art

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Cavaliers by Henri de Toulouse-Lautrec (1864-1901) Pencil on paper 15.7 x 25.4 cm (6 ¹/₈ x 10 inches) Inscribed with intials lower right, TL This work on paper is characteristic of ...

"Snow Bunny" is a contemporary mixed media piece on panel by Anke, depicting a woman in snow goggles with antlers made of branches and collaged details on...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

Paloma Picasso (born Anne Paloma Ruiz-Picasso y Gilot in Vallauris on 19 April 1949), is a French and Spanish fashion ans jewelery designer and businesswoman, best known for her jewelry designs for Tiffany & Co. and her signature perfumes. She is the youngest daughter of 20th-century artist Pablo Picasso and painter and writer Francoise Gilot. Paloma Picasso's older brother is Claude Picasso (b. 1947), her half-brother is Paulo Picasso (1921-1975), her half-sister is Maya (b. 1935), and she has another half-sister, Aurelia (b. 1956), from her mother's relationship with artist Luc Simon. After she graduated from school, her mother let her move alone to Venice, under the not terribly strict eye of her friend the eccentric collector Peggy Guggenheim. Paloma’s first husband was playwright Rafael Lopez-Cambil, with whom she lived a jet-set Warhol-era life (they once planned to make a film about Coco Chanel...

Interior Design is a beautiful drawing on paper, realized in 1948 by the French architect  Victor Courtray (1897-1971). Ink and watercolor on paper. Hand-signed and dated on the low...

1893 PRAGUE 2020 Paris, France Identifying a hypothetical time and place, ‘1893 Prague’ is inspired by the anticipation of opening a letter from the past. The name of the piece and ...

Arbres by Camille Pissarro (1830-1903) Pencil on paper 44 x 28 cm (17 ³/₈ x 11 inches) Signed lower left, C. Pissarro Executed circa 1859 Influenced by the French countryside and by...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...