Oil Landscape Paintings

"Family” Oil Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the sub...

Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left. Not much is known about Marco de Marco, but just look at...

"Henna Night II" Oil painting 20" x 29.5" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has no...

The sun rises over a deserted beach in Northern Michigan casting long shadows and setting the clouds aglow. The freshness of a brand new day is apparent in this serene landscape. The painting is floated in a simple black wooden frame measuring 26.25 x 47.25 inches. Arthur Chartow Morning on Grand Traverse Bay oil on linen 24h x 46w in 60.96h x 116.84w cm ACH030 Art Chartow, b 1951, New York City, NY SOLO EXHIBITIONS 2004 “Quiet Places,” Sherry French Gallery, New York, NY 2002 “At Water’s Edge,” Sherry French Gallery, New York, NY 1986 Rubiner Gallery, West Bloomfield, MI. MUSEUM EXHIBITIONS 2016 “80th National Midyear show,” Butler Institute of American Art, Youngstown, OH 2010 “2010 Contemporary Realism Biennial,” Fort Wayne Museum of Art, Fort Wayne, IN 2008 “72nd National Midyear show,” Butler Institute of American Art, Youngstown, OH 2007 “71st National Midyear show,” Butler Institute of American Art 2002 “Art of Collecting,” Flint Institute of Art, Flint, MI GALLERY GROUP EXHIBITIONS 2021 "Es-Scape", Gallery Victor Armendariz, Chicago, IL 2019 "Earth Wind Fire", Gallery Victor Armendariz, Chicago, IL 2017 “Scene Change,” Gallery Victor Armendariz, Chicago, IL 2017 “Coming Attractions,” Gallery Victor Armendariz, Chicago, IL 2012 “City Streets II,” George Billis Gallery, New York, NY 2009 “Selections,” Ann Nathan Gallery, Chicago, IL 2008 “Eye on the Environment,” Sherry French Gallery 2007 “Panoramas,” Sherry French Gallery. “The Four Seasons,” Sherry French Gallery. “Poetry = Painting,” Sherry French Gallery. 2006 “The Four Seasons,” Sherry French Gallery. Gallery and Invited Artists, Sherry French Gallery. “Mainely Maine,” Sherry French Gallery. Summer invitational, Ann Nathan Gallery, Chicago, IL Featured Artist, Susan Maasch Fine Art, Bangor, ME 2005 “Mainely Maine,” Sherry French Gallery. 2004 “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2003 “Mainely Maine,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. “Flowers in February,” Sherry French Gallery. 2002 “The Four Seasons,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2001 “Mainely Maine,” Sherry French Gallery, New York, NY. “Small Sizes, Precious Pieces,” Sherry French Gallery. “Contemporary American Landscapes: An Urban and Rural Perspective, ” M. A. Doran Gallery, Tulsa, OK 1991 “Nine Views of Landscape,” Ruth Volid Gallery, Chicago, IL. Landscape show, Rubiner Gallery 1990 “LANDscape,” Ruth Volid Gallery. 1989 “Landscape,” Rubiner Gallery. 1986 “Works on Paper,” Gallery Henoch, New York, NY. SELECTED GROUP EXHIBITIONS 2016 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2015 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2008 “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2007 “Michigan Annual XXXIII,” Anton Art Center, Mt. Clemens, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2006 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2005 “45th Annual Greater Michigan Art Exhibition,” Alden B. Dow Museum of Science & Art, Midland, MI. 2002 “Land and Water,” Lobby of 717 Fifth Ave, New York, NY; Art Placement...

Marc Dennis' hyperrealism finds a seemingly demure subject in this 2015 oil painting. "Fuck You, Love Me" is a circular work that at first glance merely depicts a group of white rose...

Set of 4 paintings from the 'Marinas' series by Spanish contemporary artist Calo Carratalá. Oil paintings on wood panel, 22 cm × 35 cm each. Dimensi...

The pristine, symmetrical and orderly landscape brings an unnatural stillness to John Hrehov's painting entitled "Rising". The owl is central to the sparse landscape peeking out of it's home in the tree. Straight lines and geometric patterns are used to compose a glossy concept of reality. The painting is framed in a simple dark gray wooden frame measuring 25.25 x 29.25 inches. John Hrehov Rising oil on panel 24h x 28w in 60.96h x 71.12w cm JHR012 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

The rising sun casts a reflective glow onto the puffy clouds hanging over a marshy landscape resulting in a sky that is awash in tones of blue and gold. This beautiful combination is reflected on the water below creating an enchanting romantic scene in Rose Freymuth Frazier's landscape painting entitled "Sunburst". Her technique of using loose brush strokes and layers of paint give this scene depth and dimension. The painting is framed with a decorative wooden frame measuring 17 x 21 inches. Rose Freymuth-Frazier Sunburst oil on panel 12h x 24w in 30.48h x 60.96w cm RFF051 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

This painting of moonlight shining through clouds at night evokes the peaceful beauty and mystery of a moment at the seaside. Paintings at night time are a rare commodity and this moody, dusky image is masterfully painted by Jeff Aeling. The painting is framed in a heavy black custom wood frame measuring 44.5h x 32.5h inches. Jeff Aeling Moonrise, Kauai oil on panel 36h x 24w in 91.44h x 60.96w cm JAE028 Jeff Aeling b. 1958, Iowa City, IA Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith...

Artist/ School: Scottish School, early 19th century Title: a large panoramic Scottish landscape, with ancient castle standing to the centre, with various figures enjoying the landsc...

"Sur la Terrace” Oil Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...

Traditional English Landscape Countryside Scene by 20th Century Modern British Artist Art measure 18 x 12 inches Frame measures 24 x 18 inches Peter Coulthard was brought up in the Pennine...

Sandra Pratt's "Impending Storm," created with oil on linen panel, is a captivating landscape painting measuring 8 x 16 inches (20.32 x 40.64 cm). This original artwork captures the dramatic atmosphere of an approaching storm over a serene landscape. Pratt's technique with oil paint creates a rich texture and depth, bringing the landscape to life. The painting showcases a dynamic sky filled with swirling clouds, contrasted against the earthy tones of the land and the shimmering waters. The use of bold brushstrokes and a muted color palette conveys a sense of movement and impending change, capturing the viewer's attention and drawing them into the scene. "Impending Storm" is an excellent example of contemporary landscape painting, blending realism with expressive brushwork. This piece is perfect for collectors who appreciate the beauty and power of nature depicted through skilled artistry. The painting is sold unframed and will require a frame to hang. We are happy to provide framing quotes upon request. This piece will add a touch of dramatic elegance to any collection, reflecting Sandra Pratt's unique vision and technical prowess. Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark. I enjoy using a palette knife for the immediate bold statement it offers. I started painting as a young child and studied for a while at the School of the Art Institute of Chicago but ultimately decided to be a self-taught artist, My style of painting is called abstract impressionism. I work Alla Prima, wet into wet, not reworking a picture that has dried. I started using the palette knife to do color charts, then kept using it for immediate effects and fun texture. The challenge is making the whole painting cohesive enough in a single session, which can be a fun challenge working big!. I paint intuitively, and I enjoy painting landscapes best, scenes all people can relate to at a fundamental level, green fields in Ireland, Paris alleys, and little white barns. I'm drawn to old structures, falling down barns, fences, and houses. I love the sense of history, fragility, and secrets they exude. Artists I'm inspired by are Edward Seago, Kyffin Williams, Nicolai Fechin, and Sergei Bogart. These painters have a very particular style and handle of paint manipulation I find fascinating. My color palette has simplified over time. I've experimented with many colors; my basic palette is usually around seven colors plus white. I like creating color harmony, so the focus is on shape, composition, and edges, although colorful paintings have a place in my work. Overall, I intend to show my viewers simplicity in art and create transcendent experiences. My work has been exhibited at the Brattleboro Museum in Vermont, with the Allied Artists of America in NY, and at the A.R. Mitchell Museum and the Fort Collins Museum of Contemporary Art in Colorado. I'm from Chicago, IL, and currently live in the mountains of Colorado with my incredible husband, two kids, cattle dog...

Sailboat,Sea,France,Port,Boat ,Landscape ,Britain , Atlantic Ocean, Blu , Grey . Label on the back Galleria Pirra Torino This work is more than 50 year...

Open window to the city in spring, light, roofs, City, Interior MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of ...

Landscape Mixed Media on canvas 120 x 150 cm The paintings I will share with you is inspired by landscape, nature and the passage of time. We change the nature and in response, it c...

Lake Manyara N°2 is a unique oil painting by Spanish contemporary artist Calo Carratalá, dimensions are 150 × 300 cm (59.1 × 118.1 in). The artwork is signed, sold unframed and comes...

Inspired by the ancient trompe l'oeil roman frescos of the Villa di Livia, this gardenscapes by artist Carol Pylant focuses on the most deteriorated and weathered sections of the frescos. Amidst the flora, the artist inserts an architectural element, an ode to her travels and teaching in Italy. By combining the present with the past, the artist continues her exploration of our spiritual and concrete connections with the ancient world. This piece is framed measuring 25.5h x 25.5w inches. Carol S. Pylant Entrata Severa oil on panel 24h x 24w in 60.96h x 60.96w cm CSP031 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

The sky is in in that in-between stage where the setting sun casts its golden rays upon the sky and the rising moon is peaking through. This combination creates a haze of golds purples and blues across the vast sky in Rose Freymuth Frazier's landscape painting entitled "Quiet Evening". Rose's technique of using loose brush strokes and layers of paint give this scene depth and dimension. Rose Freymuth-Frazier Quiet Evening oil on panel 16h x 20w in 40.64h x 50.80w cm RFF040 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

"Uscita" takes Inspiration from ancient Italian frescos originally found at the Villa di Livia outside of Rome. The trompe l'oeil frescos were from a subterranean room used for dining. The lush gardens gave the dinner guests the illusion of dining alfresco. Here Pylant took particular notice of the flora and fauna painted over 2000 years ago only to discover they were species that were also present at her then North Carolina studio. The artist adds an architectural element to the gardenscape to suggest a portal from the past into the present. This exploration of the ancient world and its connection to the present is a central theme running through Pylant's work. Carol S. Pylant Uscita oil and acrylic on canvas 40h x 62w in 101.60h x 157.48w cm CSP035 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

March 25th, 1911, Greenwich village, Manhattan, New York. The epitome of sweatshop labor, the Triangle Shirtwaist Factory was a harsh and grueling workplace. During a time of large movements for workers, women rights, and talks of labor unions, the owners of the factory were overly strict and frugal. The approximately 500 employees working that day on the 8th, 9th, and 10th floor of the Asch Building were working in rows of sewing machines and flammable materials with all exit doors locked. Just before quitting time a fire started on the 8th floor, probably from a cigarette, spread rapidly and consumed most of the top 3 floors. It was difficult for the panicked employees to escape because the stairwell doors were locked, the elevators saved many people’s lives until they became inoperable, and the rear fire escape eventually became overloaded and collapsed. Some resorted to jumping from the windows. In the aftermath 146 people perished and 78 were injured, mostly women. Eric Edward Esper The Triangle Shirtwaist Factory Fire of March 25, 1911 oil on canvas 32h x 24w in 81.28h x 60.96w cm EEE017 Eric Edward Esper After obtaining my BFA in Illustration from Northern Michigan...

This painting of New York City's Chrysler Building captures a wide swath of Manhattan from an areal view. Using palette knife and brush Albert Vidal manages to combine realist painting with abstraction. Splashes of bright blue, red and green paint graffiti the surface in a Jackson Pollack like effect. The numbers at the bottom of the painting represent the artist's signature. This artwork is framed in a simple black wood float. Albert Vidal Life, 2015 oil on linen 52h x 52w in Albert Vidal is an aerial urban landscapes painter based in Barcelona, Spain. He has painted mostly landscapes from around the world for over 20 years and is inspired by artists such as Antonio Lopez Garcia and Anselm Kiefer. The artist thinks about his compositions in a three dimensional way with paint relief that creates dimension and body in the piece. The emptiness which represents a sea or wasteland keep the balance of the composition as well as the ensemble. The artificial space Vidal creates evolves over time and explores the difference between cities, urban planning, and their structures. INDIVIDUAL EXIBITIONS albert vidal February. Sala Parés, Barcelona. 2011 October. Gallery Sibman. Paris. 2010 April. Gallery Sibman. Paris. 2009 February. Sala Parés. Barcelona. 2007 June. Uniglavas Gallery. Tokyo. Japan. 2006 May. Sala Pares. Barcelona. 2005 October. Juan Amiano Gallery. Pamplona. 2003 October. Sala Parés. Barcelona. 2002 September - october. Galeria Juan Amiano. Pamplona. 2001 February-March. Sala Parés. Barcelona. 2000 March. Auditorio Municipal. Montcada i Reixac. Barcelona. 1999 January-February. Galeria Tuset. Barcelona. 1995 December. Sala Lola Anglada. Barcelona. 1993 April - May. Sala Albareda. Barcelona. 1991 December. Sala “ Ca N´Amatller”. Molins de Rei Cyty Council. Barcelona. COLLECTIVE EXIBITIONS 2010 40x40. Sala Parés. Barcelona. 2008 December. Sala Parés. Barcelona. 2008 Septembre. 50 years of “Premi Pintura Jove”. Sala Parés. Barcelona. 2008 April. La Cave. Geneve . Switzerland. 2008 March. “Urbe”. Jordi Barnadas Gallery. Barcelona. 2007 February. Nichido Gallery. 42 Showakai Exhibition. Tokyo. Japan. 2006 April. “NYC” , Ariel Sibony Gallery. Paris. 2005 November. Barnadas Gallery. Barcelona. 2004 Sala Parés. Barcelona. 2004 Sala Barnadas. Barcelona. 2002 July. Galeria Gaudi. River North Festival Absolut Vision. Chicago. US 2002 May. ARTEXPO. Sala Parés. Barcelona. 2001 December. Galeria Barnadas. Barcelona. 2001 September-October. Galeria Giart . Girona. 2001 July. Sala "Ca La Pruna" - Pals. Girona. 2000 February- April. Jeunes talents catalans, Maison de la Catalogne. Paris. 1999 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1999 September-November. Realisme a Catalunya. Centre d´Art Santa Mónica. Barcelona . 1999 May. ARTEXPO. Galeria Tuset. Barcelona. 1998 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1998 July-August. Estudi d´Art. Calella de...

Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares, municipal structures, and personal artifacts to hint at current life and future implications in the orchestration of these elements. Each work in the series is a portrait of a search for markers on a journey, an attempt to learn from what is palpable and to appreciate the intangible. The paintings are meant to suggest the truth in the un-idealized moment--the actual truth only exists off the edges of my canvas, off stage, and in the experience of the viewer. Painting the objects in these compositions is like positioning characters on stage in a play, each adding to the dramatization Mark Bowers Little Blue Houses oil on panel 15h x 30w in 38.10h x 76.20w cm MJB008 Mark Bowers b. 1977 St. Joseph, MI Exhibitions 2013 American Painting Today: Physical and Visceral, Krasl Art Center, St. Joseph, MI 2012 Fort Wayne Art Museum, Contemporary Realism Biennial, Fort Wayne, IN Rockford Art Museum Midwestern Biennial, Rockford, IL Ann Brierly Gallery, Winnetka, IL 2009 Art Chicago, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL Ann Brierly Gallery, Winnetka, IL 2007 Beverly Arts Center Biennial, Chicago, IL Ann Brierly Gallery, Winnetka, IL 2005 Ann Brierly Gallery, Winnetka, IL 2003 Ann Brierly Gallery, Winnetka, IL Rhode Island School of Design, Providence, RI 2001 The Box Factory Gallery, St. Joseph, MI 2000 John G. Blank Center for the Arts, Michigan City, IN Michigan State...

A Rocky Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed o...

Title: Running Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

The painting is typical genre scene of Rome of the 17th century, a daily life along the Tiber river. with the river Tiber, Castel Sant'Angelo. Fishermen and characters are on the bank of the river, while several boats travel along it. In the background, perfectly portrayed with a clever play of perspective, Castel Sant'Angelo appears in all its splendor. The work refers to the tradition of Roman painters of the 18th century and in particular is inspired by and takes up the style of Giovanni Battista Busiri a famous and important roman painter of vedute and landscape active in Rome in the 18th century. One of his famous and important artwork a watercolor painting view of the Castel Sant' Angelo, sold at Sothebys previously property of the Dukes of Newcastle under Lyne, and was exposed at Clumber Park...

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

Original oil on canvas painting of a three mast clipper under full sail. Signed by the artist lower right. Condition is very good to excellent. Mild stretch...

Landscape mixed media on canvas 116x89 cm 2023 Original Art -ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Pain...

Walking in the Poppy Field French Impressionist school, 20th century after Claude Monet's work oil on board, framed framed: 27.5 x 34 inches board: 23 x 30 inches provenance: privat...

Antonio Sala Herrero (1927-2012) - Hermitage of joy Tiana Barcelona - Oil on canvas Oil measures 81x65 cm. Frameless. Sala Herrero, Antoni, Barcelona- 19...

Attributed to Dutch artist, youngest Jan Van der Meer (1656-1705) or his circle. Pastoral scene with little livestock and figures of reclining shepherds by town walls, castle or cath...

"Olde World Charm" by Deb Komitor (United States) is a handmade landscape oil painting that is ready to hang. Deb Komitor was born and raised in Ohio and now resides in Colorado Sp...

Rafael Duran Benet (1931-2015) - Garda - Oil on canvas on board Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nep...

Inspired by nature, Jessica Pisano’s interest in art began at a young age. It was the beautiful landscape of her hometown of Martha's Vineyard that served as her muse. She later purs...

Landscape in the works of Marilina Marchica the landscape and nature are the protagonists The trace and the sign of the passage of man is testimony of a time in constant evolution In the series “Landscapes” and “Signs”, poetic and rarefied images in which stasis and memory merge, the synthetic trait and minimalist practice give rise to entropic landscapes and signs, imprints of a universe made of abandonment and fragility. the deeper meaning of the relationship between man and nature over time mixed media on Cotton Canvas 80x95 cm 2022 pure cotton canvas and handmade wooden frame...

La Rosaire Monet's Garden, Giverny French School, signed inscribed verso oil painting on canvas, unframed canvas: 8.75 x 10.75 inches provenance: private collection, France condition...

Josep Roca Sastre (1928-1997) - Landscape - Oil on canvas Oil measures 50x100 cm. Frameless. Josep Roca-Sastre i Muncunill (Tarrasa, 1928 - Barcelona, ​​1...

Colourful Impasto Seascape Wild Flower Painting by Contemporary British Artist, Evelina Vine Art measures 16 x 12 inches Unframed

“Moulin de Charbonneau" - Rare Original 20th Century Impressionist River Landscape Oil Painting by French Modern Artist. View of a water mill embedded in a fertile green landscape on the river Sèvre Nantaise. Signed on the lower right, titled on the reverse of the canvas, and presented in a beautiful authentic period frame. Art measures 21.7 x 18 inches Frame measures 28 x 24 inches (approx) Born in Paris in 1903, Georges Charles Robin was a student of Paul Michel Dupuy...

Herbert St John Jones, British artist, 1872-1939. Born in 1872 in Shrewsbury, St John Jones moved to Nantwich, Cheshire, as a young child, and lived ther...

View from Ashridge [2021] Original Landscape Oil on canvas Complete Size of Unframed Work: H:66cm cm x W:97cm cm x D:2cmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look View towards Ashridge woods from Pitstone Hill in the Chilterns by Tim Woodcock-Jones Oil...

Rene Jerome Legrand - British (Born 1953) The Old Harbour at Varenna, Lake Como - Oil on Canvas 12 by 16 inches, Signed and Framed 16 by 22 inches....

Eugenia Elder is a Canadian contemporary painter based in Toronto, Ontario. Her minimal and gestural brushstrokes convey spontaneity and insecurity, resulting in a peaceful and stabl...

Huntsman in Woods French 19th Century oil painting on board, framed signed lower right framed: 7 x 8.5 inches board: 3 x 2.25 inches provenance: private collection, France condition:...

19th century Dutch / European oil on mahogany panel, landscape with a man out walking his dog. Wonderful painting, circa 1870, painted on one sheet...

Jack Stuck (1925-1993) "Abstract Landscape" 1960 Collage oil paint, charcoal, paper and canvas laid down on masonite 48"x46" natural wood frame 51" x 49" Si...

There are so many details to fall in love with in this 18th-century painting depicting an Italianate landscape, for example, the delicately painted figures having a conversation and ...

Richly-colored and vibrant Edwardian Beach Scene, British oil painting on canvas in impressionist style, presented in contemporary gold frame. The oil paint is raised and textured, lifting the beach sands, sea, sky and dresses from the canvas. Gathering in Edwardian period costuming looks out over the sands to the sea and clouds, with distant sailboats and children playing in the waves. This is a delightful contemporary painting, unsigned, but original oil dating to the 20th century. Framers tags verso from Oxford and Glasgow. In very good condition, with a few minor chips on the gold frame, but otherwise the painting is bright and beautiful. Provenance to gallery in the United Kingdom, imported by Saltire Gallerie...

Adolph Kronengold was born in New Orleans in 1900. He studied locally at Tulane, before moving on to New York and Philadelphia. There he studied at the Art Students League and the P...

"Provencal Landscape" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) oil painting on canvas, signed canvas: 9.5 x 6.25 inches Superb original oil painting by Fernand Aude...

St. Tropez French School (Fauvist), mid 20th century indistinctly signed lower front oil painting on artists board, unframed size: 15 x 18 inches condition: very good provenance: from a private collection in Paris Stunning mid 20th century French Fauvist...

Harold Landaker (1892-1966) "April Showers" Charming Parisian scene with carousel & Eiffel Tower Oil on Massimo, 20 x 24 unframed

Pocket Blue Tit's Egg is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still...

"Imagine" by Roman Goss is a captivating original abstract painting that invites viewers to explore a world of imagination and possibility. Through a harmon...

Wonderful early to mid 19th century English Cottage landscape. Oils on an oak wooden panel, this piece has a great feel and quality. Framed in its original frame this piece is an e...