Wood Paintings

Available at Madelyn Jordon Fine Art. Hunt Slonem bunny oil painting 'Evening' 2023. Oil on wood, 10 x 8 in. / Frame: 16 x 14 in. This painting features Slonem's signature bunny outl...

This work is about: Screen-paintings aim is to mediate humans interpretations of natural-made objects to think and search for a free-of-toxicity daily life tangible and intangible ma...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

Michael David (b. 1954) Billie's Tree Signed, Titled, and Dated 1982 Verso. Provenance: Museum of Contemporary Art, Chicago (bears label en verso) where it had been exhibited for nearly two decades. It was also Exhibited at the Museum of Modern Art (MoMA NYC) just after he won the National Guggenheim Award. The Piece Measures approximately 70" x 71" x 8" Deep. Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, a was pigmentation technique which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2023 Radiate, Garvey Simon, New York, New York 2021 Selections from NYFA - Courtesy of the Martin Z. Margulies Foundation, New York, New York 2020 Bill Lowe Gallery Presents: Masterworks from the Gallery 2016 The Golem, The Jewish Museum of Berlin, Berlin, Germany In a Post-World: Post-Punk Art Now, The Invisible Dog Art Center, Brooklyn, New York 2014 Gallery Artists, Bentley Gallery, Pheonix, Arizona 2011 Post Mammalian Tension: Michael David & Scott Browning, Bill Lowe Gallery, Atlanta, Georgia 1999 Waxing Poetic: Encaustic Art in America, Montclair Art Museum, (Jasper Johns, Jackson Pollock, Robert Rauschenberg etc) Forty Years of American Drawings, Raab Galerie, Berlin, Germany Germany Summertime, Knoedler & Company, New York, New York 1997 Michael David and James Hyde...

The four portraits of choristers in mixed media on wood that compose this multiple panel are the original artworks from which the project "Choristers Without Chorus" originates. Base...

Oil on wood Hand-signed on verso

Discover the stunning alpine beauty of a small town nestled in a mountain valley, surrounded by a tranquil river and a majestic castle atop a cliff, providing a breathtaking view. In...

Florian Nährer oT 2023 Acrylics on wood 30 x 40 cm Unique Antidotes are substances or treatments that serve to neutralise or alleviate the damaging effects of poisons or diseases. T...

Florian Nährer oT 2023 Acrylics on wood 30 x 40 cm Unique Antidotes are substances or treatments that serve to neutralise or alleviate the damaging effects of poisons or diseases. T...

"Rembrandt El Chingon" Painting (FRAMED) 23" x 17" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 29.5" x 23.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...

Oil on wood Hand-signed on verso

Signed lower right, 'K. Sanzenbach' for Keith Sanzenbach (American, 1931-1964) and dated 1956. Additionally signed, verso, and with the artist's Lagunitas, California address. The ...

Almazan Realistic Still Life Acrylic Painting with frame of the Spanish artist ALMAZAN MIQUEL.

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

Peter Kurbatov (1907 – 1985), was a talented painter, graphic artist and writer. He lived a truly eventful life full of creative exploration. Despite the fact that this landscape was...

Susan Woldman received her BA Degree from Sarah Lawrence College. After studying sculpture in Lacoste, France through the Cleveland Institute of Art she went on to get her MFA at the...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Available at Madelyn Jordon Fine Art. 'Now and Again' by Hunt Slonem, 2023. Oil on wood, 10 x 8 in. / Frame: 15 x 13 in. This painting features a charming portrait of a parrot. The ...

For many years I focused mainly as a sculptor, building large three dimensional wall sculptures and taller than life statues. This is why I paint on wood, because with wood there e...

For many years I focused mainly as a sculptor, building large three dimensional wall sculptures and taller than life statues. This is why I paint on wood, because with wood there e...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

HORIZON Series: "This series is inspired by form rather than color. By limiting myself to a mostly black and white palette I’m able to more freely explore the dynamic of space and h...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flowers. This is my m...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

17th century German portrait of the wine merchant Caspar Roemerskirchen at the age of 26 in 1628, attributed to Gottfried de Wedig This highly decorative portrait depicts the 26 yea...

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Attributed by Wilhelm von Gegerfelt (1844—1920). The disheveled crowns of the trees indicate to us the raging wind, and the evening sky in the background...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

Seated woman in a pink suit strong yet warm color consistent with the artist's palette. It is painted on jute a coarse type of burlap mounted on a cradled wood board . Framing recomm...

Oil on wood Hand-signed on verso

DIPTYCH Series: "The DIPTYCH Collection is my way of building something and going big. Of interest to me is being able to see it’s a diptych instead of one big canvass. A horizon lin...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

HORIZON Series: "This series is inspired by form rather than color. By limiting myself to a mostly black and white palette I’m able to more freely explore the dynamic of space and h...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

DIPTYCH Series: "The DIPTYCH Collection is my way of building something and going big. Of interest to me is being able to see it’s a diptych instead of one big canvass. A horizon lin...

DIPTYCH Series: "The DIPTYCH Collection is my way of building something and going big. Of interest to me is being able to see it’s a diptych instead of one big canvass. A horizon lin...

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

DIPTYCH Series: "The DIPTYCH Collection is my way of building something and going big. Of interest to me is being able to see it’s a diptych instead of one big canvass. A horizon lin...

This painting was painted by an unknown master at the turn of the 18th - 19th centuries. The artist in this painting raises the timeless theme of adultery, skillfully depicting the e...

This beautifully painted oil painting depicts a serene scene of a goat mother and her kid grazing in the forest thicket. The little goat has nothing to fear, because his mother is ne...

Fred Morgan, ‘The Hero of the Hour’, large Victorian oil painting English, Late 19th Century Canvas: Height 86cm, width 120cm Frame: Height 122cm, width 154.5cm, depth 11cm This su...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

This is an abstract painting in oil-on-canvas technique by an unknown artist. The painting features geometric shapes and dynamic lines reminiscent of the Futurist school, an art mov...

House In The Woods, 1964 - Original Oil Painting On Masonite 1964 Original oil painting by New York area artist Dickson (American, 20th C), depicting a small house surrounded by tre...

Hunt Slonem "Julio" Green Bird on Pink Single green bird on a pink background, in a new gold-leafed frame Unframed: 10 x 8 inches Framed: 15.5 x 13.5 inches *Painting is framed - P...

David Shingler's (NC based) "Colorado Plains" is an original, handmade oil painting that depicts plains with a backdrop of foothills, blue snow-capped mo...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...