Canvas Nude Paintings

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market...

A luxuriant forest is the romantic and lyrical landscape where the dance of the nude nymphs takes place in this joyful 19th Century antique oil on canvas painting featuring a mythological scene. Dance of the Nymphs and Naiads is a myth inspired by the tales of ancient Greece and ancient Rome, a subject already much loved in the Renaissance period as an allegory of rebirth - as in one of the most famous paintings in the world the Spring by Sandro Botticelli- then reproduced throughout the neoclassicism by academic painters -due to the renewed interest in classical artworks following the discovery of archaeological sites- and taken up later, with ecological purposes and meanings, also by the Barbizon school and Impressionist artists. The present artwork – signed Vagner low left and datable to the second half of the 19th century - is closely inspired by an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). This historical oil on canvas painting, featuring a joyful scene with the three graces and other dancing nymphs...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s ...

A lush verdant painting of three nude bathers in a French river. It speaks of summer days spent wild swimming, picnics filled with cheese & wine and hear...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s mo...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s mo...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s mo...

Pierluca Ferdinando Nando (1912-1987) Italian. "Les Deux Amies" Two Semi Naked Women lying on a Bed, Oil on Canvas, Signed and Extensively Inscribed, canvas measures: 57 x 45 inc...

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...

This compelling portrait of Salome was composed by the French painter Marie Felix Hippolyte-Lucas. While the celebrated artist's oeuvre is filled with bright and cheerful portraits of aristocratic women surrounded by florals, here he takes a different approach. Hippolyte-Lucas' Salome is simultaneously exotic and highly modern, rendered in a style that is both theatrical and bold. The monumental work's rich color palette is filled with gem-inspired hues that lend drama to the scene, highlighting the blatant sexuality of this legendary seductress. Though Salome is not named in the New Testament, she has appeared time and time again in art and literature over the centuries, as both an innocent and a seductress. Her mother, Herodias, resented John the Baptist, who denounced her marriage to King Herod as unlawful. At one evening meal, Salome danced...

"Tea for Two" Oil Painting 43" x 55" inch by Valery Mishin Valery Mishin was born in Simferopol in 1939. He graduated from the Sverdlovsk Art College in 1962, and the Mukhins Leningrad Higher School of Art and Industry, painting faculty, in 1968. He is a member of the Artists Union of Russia, a member of the UNESCO International Federation of Artists. He is one of the greatest masters of modern art. Valery Mishin is engaged in easel graphics, book graphics, and printing, paintings, objects, installations, ex-libris. He has participated in more than 300 exhibitions in Moscow, St. Petersburg and other Russian cities, as well as abroad - in Warsaw, Ghent, London, Mainz, Mexico City, Paris, Stockholm, etc. since 1966. More than 20 of them are one-man exhibitions including the one in the Central Exhibition Hall "Manege". He is a prize-winner of several foreign exhibitions. He was awarded the special prize of the House of Humour and Satire in Gabrovo in 1987, Grand Prix of the I International Biennial of Graphic Art in St. Petersburg in 2002. The artist has illustrated and designed over 50 books. Following the tradition of modernism in his work, Valery Mishin is extraordinarily diverse in book graphics and ex-libris. Some of his illustrations are made traditionally, others are conceptual, some are created in the method that the artist himself called "ReRealizm" or "Off-realism" (from the English. «ReRe» «Residual Realism»). The artist makes prints from real objects, plants, fish and creates a variety of compositions, turning these items into the plane of the sheet. His illustrations to "The Queen of Spades" by A. Pushkin and "Dzhakomeron" by T. Bukovskaya, which were made especially for the publishing house "Rare Books from St. Petersburg", are recognized now as a classic of book illustration art...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work included streetscapes, portraits and architectural images of New York and Paris. His work has been highly regarded because of its humanity and capturing the life and reality of the people and streets. Starting in 1947, Stettner photographed the changes in the people, culture, and architecture of both cities. Stettner also spent significant time sculpting and painting, as well as mixing his work and “painting” on some of his photographic images. He continued to photograph New York and Paris up until his death. Louis Stettner was born in Brooklyn, New York, to Austrian immigrant parents where he was one of four children. His father was a cabinet maker, and Louis learned the trade when young, using the money he earned to support his growing love of photography. He decides to be a photographer after seeing photographs by Alfred Stieglitz and Weegee. He was given a box camera as a child, and his love affair with photography began. His family went on trips to Manhattan and visited museums, including the Metropolitan Museum of Art, where his love of art began. At 18, in 1940, Stettner enlisted in the United States army and became a combat photographer in Europe for the Signal Corps. After a brief stint in Europe he was sent to New Guinea, the Philippines, and Japan. Back from the war he joined the Photo League in New York. Through the Photo League’s exhibits, Stettner was further exposed to the work of Weegee, Edward Weston, and Lewis Hine. Stettner visited Paris in 1946 and in 1947 moved there. From 1947 to 1949 he studied at the "Institut des Hautes Études Cinématographiques" in Paris and received a Bachelor of Arts in Photography & Cinema. He went back and forth between New York and Paris for almost two decades and finally settled permanently in Saint-Ouen, near Paris, in 1990. Stettner still frequently returned to New York. Stettner's professional work in Paris began with capturing life in the post-war recovery. He captured the everyday lives of his subjects. In the tradition of the Photo League, he wanted to investigate the bonds that connect people to one another. In 1947 he was asked by the same Photo League to organize an exhibition of French photographers in New York. He gathered the works of some of the greatest photographers of the era, including Robert Doisneau, Brassaï, Edouard Boubat, Izis Bidermanas, and Willy Ronis. The show was a big success and was largely reviewed in the annual issue of U.S. Camera. Stettner had begun a series of regular meetings with Brassaï who was a great mentor and had significant influence on his work. In 1949, Stettner had his first exhibition at the "Salon des Indépendants" at the Bibliothèque Nationale, Paris. In 1951 his work was included in the famous Subjektive Fotografie exhibition in Germany. During the 1950s he free-lanced for Time magazine, Life, Fortune, and Du (Germany). While in Paris he reconnected with Paul Strand, who had also left New York because of the political intolerance of the McCarthy era—Strand had been a founder of the Photo League that would be blacklisted and then banned during those years. In the 1970s Stettner spent more time in New York City, where he taught at Brooklyn College, Queens College, and Cooper Union. In his own social realist work, Stettner focused on documenting the lives of the working class in both Paris and New York. He felt that the cities belong to the people who live there, not to tourists or visitors. His upbringing caused him to take great care in capturing the simple human dignity of the working class. He also captured noteworthy architectural images of both cities, including bridges, buildings, and monuments. Stettner produced well-known silver gelatin prints in fine images, including: Aubervilliers, Brooklyn Promenade...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents,...

Cancer, 2007 Acrylic on canvas (Signed front right corner) 78 7/10 H × 118 1/10 W in 200 H × 300 W cm Alexandru Rădvan’s art is not easy to look at or to comprehend; nor is it a com...

"Saint Mary Magdalene" D'après Guido RENI (1575-1642) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 81 x 69 cm (32 x 27.25 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 16th century Renaissance painting...

"Venus and Cupid with Dog and Partridge" After Tiziano VECELLIO, dit TITIEN (1488/1490 – 1576) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 67 x 93 cm (26.5 x 36.75 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 16th century Renaissance painting...

"The Thieves and Donkey" After Honoré Daumier (1808-1879) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 80 x 75 cm (31.5 x 29.5 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 19th century Renaissance painting by Honoré Daumier (1808-1879), "The Thieves and Donkey. The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ. Mr Amal Dagher, the senior member of the family of painters, is often present in front of his easel in the Louvre Museum to paint in the way of a genuine Great Master painting...

"Lucretius" After Paolo Caliari, (1528 – 1588) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped ve...

"Marquis of Sourches and his family at the Country Concert" After Hubert DROUAIS (1699-1767) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 61 x 50 cm (24 x 19.75 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 17th century Renaissance painting by Hubert DROUAIS (1699-1767), "Marquis of Sourches and family at the Country Concert". The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ. Mr Amal Dagher...

"Renaud and Arminde" After François BOUCHER (1703-1770) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 92 x 73 cm (36.25 x 28.75 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 18th century Renaissance painting by François BOUCHER (1703-1770) , "Renaud and Armide". The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ. Mr Amal Dagher, the senior member of the family of painters, is often present in front of his easel in the Louvre Museum to paint in the way of a genuine Great Master painting...

"The Fisherman" After French 18th Century School oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 73 x 53 cm (28.75 x 21 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 18th century Renaissance painting by 18th French Century School , "The Fishermen". The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ. Mr Amal Dagher, the senior member of the family of painters, is often present in front of his easel in the Louvre Museum to paint in the way of a genuine Great Master painting...

"The Abduction of Prosperine" After Nicolò DELL'ABATE (c.1512-1571) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 67 x 105 cm (26.5 x 41.5 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 16th century Renaissance painting...

"Flower Vase in an Interior Scene" After Antoine Berjon (1754-1843) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 65 x 54 cm (25.75 x 21.25 inches) unframed. provenance: the atelier Dagher, Paris Very fine quality large scale oil painting after the 18th century Renaissance painting by Antoine BERJON (1754-1843) , "Flower Base in an Interior Scene". The painting itself dates to the late 20th century and is an original work by the world famous studio in Paris, the "Atelier Dagher". The Atelier Dagher have for 35 years been faithfully painting Old Masters copies and are one of the few artists to be authorised by the Louvre and Orsay Museums in Paris to paint in situ. Mr Amal Dagher, the senior member of the family of painters, is often present in front of his easel in the Louvre Museum to paint in the way of a genuine Great Master painting...

Axel Henry Helge Helme (1894 Roskilde, Denmark 1987), Seated Nude, circa 1930, oil on canvas, original frame Son of a merchant, Helge Helme was admitted ...

Impressionist portrait of a nude woman in the forest by Gaspare J Ruffolo (1908 - 1997). Oil on board, circa 1941. Signed "Ruffolo". Displayed in a white modernist frame. Image ...

Impressionist portrait of a nude woman in the forest by Gaspare J Ruffolo (1908 - 1997). Oil on board, circa 1941. Signed "Ruffolo". Displayed in a white modernist frame. Image ...

Shell, acrylic and sand on canvas.

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

Contemporary nude figurative oil on canvas painting. Dimensions are 63" H x 43" . Colors are predominately black and white with a pastel background.

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

‘Security’ is a large framed contemporary surrealist figurative oil on canvas painting of vertical format, created by Vietnamese artist Dinh Y Nhi in 2010. Featuring a cold palette mostly made of grey and black tones, accented with blue and beige touches, the painting depicts a frontal view of a nude figure. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its powerful presence and great proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Set inside a frame, the painting is titled in the lower section. 1967: Born in Hanoi, Vietnam 1989: Graduated from Hanoi Fine Art University Exhibitions: 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

"Backstage", is a large theatrical Art Deco painting by French artist Paul Alex Deschmacker. The painting depicts two theater performers, one se...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...

An original oil on canvas by French artist Jean Jannel, known for his figurative, genre portraits. Le Miroir, is an original oil on canvas, signed, c.1930...

Artwork size: 207 x 150 cm. Frame size: 215 x 158 cm. Free shipment worldwide. Signed, titled and dated on the back. Acquired directly from the artist. Vladimir Velickovic was born ...

Micao Kono was born in Japan, moving to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils to ...

Presenting a large original oil on canvas, "Salome;" by French artist Friedman Hahn. "Salome'", is an original oil on canvas, signed, c.1940, with an image dimension of 46 x 27 in...