Canvas Nude Paintings

ABOUT THE ARTWORK "Entwined in Serenity" is a profound depiction of lovers wrapped in the quietude of a shared moment. The figures, set against a backdrop of muted earthy tones, are...

Contemporary acrylic on canvas painting by young artist Darya Hancharova. Painting is a depiction of nude on the dark, monochromatic background. The bodies are permeating each other....

Contemporary acrylic on canvas painting by young artist Darya Hancharova. Painting is a depiction of nude on the dark, monochromatic background. There are mirror-like elements, refle...

Reclining Nude, early 20th Century by Harry Barr (1896-1987) Large Early 20th Century reclining nude, oil on canvas Harry Barr. Good qua...

Oil on canvas by Charles Kvapil, France, ca.1920. "On the edge of the lake". with frame: 78x58.5x6 cm - 30.7x23x2.4 inches - without frame: 65x46 cm - 25.6x18.1 inches. 15M format. Signed lower left "Kvapil" Charles Kvapil was born in Czechoslovakia on November 1, 1884, and died in Paris in 1957. He takes courses at the Royal Academy of Fine Arts in Antwerp. His first works are exhibited in 1908, at the Salon of Antwerp. In 1911, he exhibits in Munich; his works show a definite cubist influence in a well-tempered, organization and simplification bill. Arrived at a young age in Paris, he sets up his studio in Montmartre in the Hamlet of Artists, between Lepic Street and No. 11 Junot Avenue near those of Utrillo and Valadon; it is there that he will die. In 1912, he exhibits at the Salon des Independants. In 1914, he presents his works again in Belgium at the Brussels Triennal. After the war, he lives a very poor life but, with an optimistic temperament, he hopes to break through; he has to work to survive and he paints especially in the evening, especially during his first years in Paris. It is at the Salon des Independants in 1920 that Kvapil is revealed to the Parisian public. He exhibits six paintings: "My campaign", "portrait of woman", "Houseboat", "Poplars", "Bras St. Jean (landscape)" and "Still Life". He is domiciled at 233, rue d'Alésia in Montparnasse." "In the wake of the legendary figures of Montparnasse, in their shadow, and by them held at a relative discretion (the behavior of artists entering many into the brilliance of their career and the exclusive attachment to their production, without extension" social " " condemning them to darkness), is Charles Kvapil. He frequents the Parnassus café [...] and is exhibited there in a small group organized by A. Clergé, "the Company of professional painters and sculptors", which manifests itself in 1921. The preface is written by Romoff. A second follows shortly. It includes 102 participants, including Friesz, Lagar, Zorate Ortiz, Scouëzec, Astoy, Roysen, Loutreuil, Krémègne, Gallien, Goncharova, Lebedeff, Ramey, Kvapil. He remains attached to the folklore of the Bohemian painter whose Montparnasse is the field of exploits and the model of life "(Jean Jacques Lévêque" The Roaring Twenties, 1918-1939 - The Triumph of Modern Art ", 1992). He exhibits at the gallery Colette Weill. In 1923, his works are hung at Marcel Bernheim, then at Dalpeyrat, in Limoges, where he shows mostly landscapes. Subsequently, he participates in the Salon d'Automne; to that of 1941, he presents "Phlox", and in 1944 "At the window". In 1951, at the same Salon, he exhibites "Plaisir d'été" and "Le Goûter". He exhibits during his lifetime in Paris, Munich, Brussels, Geneva, Italy, Stockholm, London and New York. He is now represented in numerous public and private collections, including the Museum of Modern Art in Paris, the museums of Le Havre, Libourne, Rouen, Saint-Etienne, Amsterdam and Tunis. Charles Kvapil is known mainly as a painter of characters, especially for his representations of naked women for which his friend Ginette often served as a model; he painted models in the studio, sometimes in front of his window with the Montmartre hill in the background; often bathers or female nudes placed in groups of characters, in the manner of Courbet and the Impressionists at their beginning. He is also creator of many portraits; but he did not disdain either the still lifes, especially the bouquets of flowers, or the landscapes, which form an important part of his work. He painted many regions, including Corrèze, where he "knew how to grasp the character of the country that is not his, with his usual mastery" (SSHA Bulletin Corrèze), the Mediterranean coast, Corsica, where he stays regularly in the 1920s and 1930s; in Paris he participated in exhibitions of painters of Corsica in 1925 and 1933. In 1939, at a new exhibition of Art Corse, at the Gallery The Team, still in Paris, he presented two paintings titled "Costa Brugiata, Cap Corsica "and" View of Rogliano ". He is also the creator of "On the Island" (1923), "Querciolo, Rogliano" (1923), "Corsican Woman" (1924), "Landscape of Corsica" (1933) (information Cronica di a Corsica). Charles Kvapil was influenced by fauvism and a very temperate cubism; Paul Cézanne and to a certain extent Matisse (as a colorist), also marked his style. The desire of construction of the artists of the group to which Kvapil belongs, "did not lead to distortion, except once or twice at Kvapil" .... Kvapil and his friends "thus engaged in thorough technical studies according to the masters, all without exception have loved the beautiful solid and dense material. Their work is related, moreover, not to the classical tradition of transparent painting, but to that of the opaque painting of Frans Hals, Rembrandt and Chardin, almost alone in force since the beginning of the nineteenth century [...] so they paint all in dense pasta but without excessive excess "... (Germain Bazin," the love of art ", 1934). Charles Kvapil's paintings are original and modern, his nudes and bouquets of flowers are strong and powerful. His palette is rich in cobalt blue and warm colors. His technique is voluntary and powerful. His works in oil are often of modest size, sometimes painted on panels, or on cardboard. He also practiced with great skill the technique of pastel. P. Béran, in a study he has dedicated to him, praises the richness of his material and all that his art owes to the joy of living. "A work modeled on a life totally devoted to the pleasure of painting. (Jean Jacques Lévêque, ibid.) He was an indefatigable worker, and this is what he says: "the painter must speak little, but he must comb a lot" Bibliography Jean-Daniel Maublanc, Charles Kvapil, painter of figures, 72 p. Jean-Daniel Maublanc (preface by Louis Parrot), Perspectives - Marcel Lemar, François Eberl, Marcel Roche, Jacques Villon, Charles Kvapil, Charles Jacquemot, Pierre Bach...

"Reflections at Dawn" is the latest contemplative addition to my "Thoughts" series. This triptych, measuring 100x60 cm, is crafted with acrylic paints on canvas, enhanced with oil pastel techniques, embodying my ongoing exploration into the depths of the feminine soul and its interplay with the universe. The painting portrays a young woman seated in the forest, symbolizing reflection and introspection. Her nude form speaks to vulnerability and a readiness to open her heart to the world. Engrossed in her thoughts, she may be recalling the past or dreaming of the future, her musings remaining untold. Adorning her shoulder is a Scythian-era symbol of the universe and the sun, a reminder that we are all part of something larger and an infinite cycle of life. The sunflowers and poppies leaning over her are taken from traditional Ukrainian ornaments, carrying the symbolism of the sun, blood, and rebirth. This work reflects on how femininity is intertwined with nature and cultural symbols passed down through generations. It represents my search for profound meanings and connection with antiquity while highlighting the significance of the female experience in the contemporary world. "Reflections at Dawn" is more than a piece of art; it is a personal symbolic journey towards understanding the essence of existence. ABOUT ARTIST: Tetiana Pchelnykova...

This painting is an attempt to blend ancient symbols, contemporary understanding of feminine essence, and profound philosophical contemplations inspired by existentialism and phenomenology. The woman, represented in the image of Eve, stands as an eternal symbol of the beginning of life and the mother of all humanity. Symbols on her body, derived from the idols of the Trypillian culture, speak to the age-old connection of our people with nature, land, and spirituality. The Tree of Life with its apples embodies the immortal bond with lineage and ancestors, as well as a reflection on existence, self-awareness in the world, and relations with others. Existentialist and phenomenological philosophies emphasize individual experience and perception of the world, which are perfectly captured in this painting. Each apple represents a memory passed down from generation to generation, a reminder of roots that deeply reach into the history of our people, and contemplations about our place in the universe. ABOUT ARTIST: Tetiana...

"Enchantment of the Mythic Steed" is the latest painting in my "Myths" series, where the spiritual and the terrestrial intertwine. This piece encapsulates the essence of my artistic...

"Guardians of the Primordial Woods" is a poignant new addition to my "Myths" series, intertwining the enigmatic beauty of Slavic and Scythian iconography with the wilderness of the n...

Delicate and expressive depiction of a nude couple by Byron Richard Rodarmel (American, 1932-2007). A couple is intertwined on a bed, rendered in a soft palette of peach, yellow, pin...

An amazing, magical realism painting by renowned artist, Herbert Laurence Davidson (1930-2018). This painting depicts a young boy’s innocent discovery on the beach of a sand sculptur...

This work is a celebration of the beauty and peculiarity of every woman, regardless of age and figure. The brightly painted woman's body brings a joyful mood to the painting.

"Way Forward," a captivating artwork by Abdullateef Salaudeen, portrays a young woman turning her back to the viewer, her flowing weaved hair creating a mesmerizing visual tapestry. This piece invites viewers to contemplate the symbolic journey of the individual and the profound act of embracing the unknown. Salaudeen's choice of composition is deliberate, drawing attention to the woman's flowing hair that cascades down her shoulders. The subtle details in the weave capture the essence of intricate paths and choices, symbolizing the complexities of life's journey. The act of turning away becomes a metaphor for stepping into the future with confidence and curiosity. The title, "Way Forward," reinforces the forward-facing theme, suggesting that the woman is not retreating but rather moving ahead. The artist prompts viewers to reflect on the idea that progress often involves a willingness to venture into new territories, leaving the familiar behind in pursuit of growth and self-discovery. The flowing weaved hair serves as a visual metaphor for interconnected experiences and the interwoven threads of life. Salaudeen's masterful use of color and texture adds depth to the artwork, creating a sense of movement and dynamism. The overall composition invites viewers to appreciate the beauty in change and the transformative power of embracing the path that lies ahead. "Way Forward" stands as a celebration of resilience, courage, and the inherent beauty found in the journey of self-discovery. Abdullateef Salaudeen's artwork encourages viewers to embrace the uncertainties that lie ahead, acknowledging that the way forward is often paved with both challenges and moments of profound beauty. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues by the Gallery) About Artist Abdulateef Salaudeen...

Antique American exhibited cubist nude portrait oil painting. Oil and casein on board. Framed. Signed. Exhibition label verso.

Antique American signed modernist nude male landscape oil painting. Oil on canvas. Signed. Framed. Image size, 18L x 14H.

In "Echoes of the Forest," the latest painting from my "Myths" series, I explore the symbiotic relationship between the mystical and the natural world. This artwork captures a scene ...

This painting depicts a whimsical scene of a nude sun bather resting by the sea shore on a blanket with the coast in the background. The bright colors and quick brush strokes are wha...

Title: "Echoes of Time: The Bridge Between Worlds" From the depths of history and cultural memory, Tetyana Pchelnykova presents "Echoes of Time: The Bridge Between Worlds", a continuation of her profound "Self-awareness" series. This captivating 80x40 cm work, created using acrylic on canvas with oil pastel techniques, testifies to the unbroken dialogue between the past and the present, intertwining timeless wisdom with youthful vibrance. The canvas comes to life with the image of a young woman set against a backdrop of an unbridled forest's beauty. Artfully woven among the tree branches is a mirror, revealing a parallel world where the figure of the girl is reflected as a female idol...

Daniela Astone Tribute to the sculpture Alimondo Ciampi 60 x 50 cm Oil on canvas The painting is framed in a golden frame, with frame the size is 67 x 57 cm Daniela Astone works and...

In "Whisper of the Soul," my newest addition to the "Myths" series, I have crafted an image that delves into the mystical world of self-discovery and introspection. This artwork can...

In "Harmony in Bloom," my latest canvas comes to life, capturing a serene moment of coexistence between a woman, her loyal companion, and the enduring forces of nature. Set against the backdrop of her home, nestled within the tranquil embrace of the grass, the scene is a contemplation of the symbiotic relationship we share with our environment. The Tree of Life stands symbolic in the background, its branches reaching skyward in a silent testament to our interconnectedness with the world around us. The flora and fauna, depicted in a primitive style with traditional folk ornaments, burst with vibrancy, representing the earth's raw beauty and the cultural tapestry that weaves through our daily lives. Upon the woman's shoulder, an ancient Kyivan Rus’ diamond ornament signifies the union of the sun and earth, a symbol of fertility and the cycle of life. This emblem, steeped in tradition, is a nod to the deep-rooted beliefs that ground us and remind us of our place within the natural world. This painting, from my ongoing exploration into the essence of femininity and its role within the cycle of life, reflects a deep appreciation for our ancestral heritage. "Harmony in Bloom" is not only an artistic expression of the enduring bond between humanity and nature but also an intimate portrayal of the woman as a creator of life and a guardian of ancient wisdom. ABOUT ARTIST: Tetiana Pchelnykova...

Tomanek was born in Czechoslovakia in 1889 and studied at the School of Design in Prague. He immigrated to America around the turn of the century and settled in Chicago where he studied at the Art Institute of Chicago. Tomanek was a member of the Bohemian Artist Club, Association of Chicago Painters, and Sculptors, and the Chicago Gallery Association. His works were exhibited at the Art Institute of Chicago, the Bohemian Artist Club, the Chicago Gallery Association and the Palette and Chisel...

Daniela Astone Meteors 110 x 140 cm Oil on canvas Daniela Astone works and lives in Florence. For years she was a teacher on the famous Florence Art Academy. Since 2022 she fulltim...

"Reclining Woman Nude" by Shana Wilson is a 48" x 36" contemporary figurative nude that presents the human form in a subtle and graceful manner. The color palette is composed of soft, earthy tones such as warm browns and delicate creams, creating a sense of intimacy and vulnerability. The artist's unique style captures the essence of the subject through abstract shapes and gentle brushwork, allowing the viewer to engage with the emotion and sensuality of the reclining figure. This piece evokes a feeling of serenity and contemplation, inviting viewers to appreciate the beauty of the human body in its most relaxed and natural state. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

The couple  is an artwork attribuited to Edgar Stoebel (1909-2001).  81 x 54 cm; no frame. Oil painting on canvas. Good conditions! 

Nude woman is an artwork attribuited to Edgar Stoebel (1909-2001).  81 x 45 cm; no frame. Oil painting on canvas. Good conditions. 

From the new series " Self-awareness," we present "Interstice of Worlds," a painting that immerses the viewer in a realm of emotional resonance and symbolic representation of time. Crafted with a blend of oil and acrylic on canvas, it portrays a woman with intertwined hands, embodying a longing for the ineffable. Beside her sits a dog with a bowed head, in silent solidarity, sharing in the unspoken yearning of its owner. The backdrop of this scene is the symbolic collision of day and night, depicted through the lunar phases suspended in the night sky and a rainbow heralding the daylight. This not only reflects the passage of time but also the internal dualities of human nature, the eternal struggle between light and darkness that each of us faces. "Interstice of Worlds" evokes philosophical contemplation on how we perceive time and experience loss, our capacity for feeling and expressing emotions. The painting invites gallery visitors to a profound introspection and understanding of life's transitions. It dialogues between the inner world of the individual and the universal cycles, between personal longing and the collective sentiments of humanity." This piece is an expressive continuation of the thematic exploration of self-identification, viewing the woman not as a static symbol but as a dynamic being, living and breathing in the perpetual rhythm of the Universe. ABOUT ARTIST: Tetiana Pchelnykova...

A stunning original oil painting by Mid 20th Century British artist Roy Spencer. The work has come directly from his studio and is new to the market. It is a well sized and extremel...

HELENE Size: 55.5 x 38.5 cm (including frame) Oil on canvas A brilliant modernist-style figurative painting of a nude, executed in oil and dated 1961. The composition captures a st...

This tribute art piece - an awe-inspiring representation of a nude, lascivious woman before or after an intimate embrace - is a celebration not only of Tamara de Lempika’s skill and ...

In my latest work from the 'Thoughts' series, titled 'Serenity of Essence', I once again delve into the profound world of feminine reflections. On this 60x80 cm canvas, painted with acrylics, I depicted a seated young woman with a cat resting beside her. This image creates an atmosphere of tranquility and deep contemplation, characteristic of my series. The background of the painting reveals a view of hills and trees, the leaves of which are adorned with ornaments, adding sophistication to the composition. The symbol of infinity on the woman's shoulder is not just decorative; it symbolizes the endlessness of existence and unity with nature. The flowers and grasses in the meadow are depicted symbolically and graphically, creating a visual rhythm that engages and leads the viewer through various levels of perception. 'Serenity of Essence' is not just a painting; it is my perspective on feminine self-discovery and inner harmony. This canvas is an invitation for viewers to feel at one with nature, find peace in their thoughts, and discover the deep symbols of feminine existence. In this work, I once again demonstrate my vision and ability to transform philosophical themes into visual metaphors that resonate with the soul ABOUT ARTIST: Tetiana Pchelnykova...

"Embark on an intimate journey through the artistry of Marina Koutsospyrou with this evocative figurative portrait. In the warm embrace of oil on canvas, a naked couple shares a mome...

"Journey Home: Preserving Serenity" by Tetiana Pchelnikova is an embodiment of her continuous and profound contemplation of the role of women in society, expressed in visually rich works imbued with symbolism and philosophical resonance. This piece from her "Existence" series carries the magic of intuitive understanding of the feminine essence, intertwined with themes of eternity, self-identification, and a deep connection with nature. In this work, Pchelnikova employs a mixed technique of acrylic paints and oil pastel graphics, creating a multi-layered visual language that embodies her vision. The canvas size of 50x50 cm with gallery stretching . This piece deeply reflects the artist's philosophy, where the woman is seen as the conduit of noble strength from past generations and the creator of family strength. It portrays the woman's journey towards self-discovery and maintaining inner peace, despite the challenges of the external world. Through her creation, Pchelnikova invites the viewer to reflect on the importance of connecting our past with the present, bridging tradition and innovation. This work opens a pathway to a deeper understanding of the modern world through the prism of philosophical ideas such as Existentialism and Phenomenology. "Journey Home: Preserving Serenity" is not just aesthetically appealing but also a powerful medium for reflection, self-discovery, and dialogue with the world through art. ABOUT ARTIST: Tetiana Pchelnykova...

In the serene stillness of "Slumbering Spirit," part of my contemplative "Thoughts" series, I explore the profound quietude of rest. The painting captures a woman in repose, the very image of tranquility as she lies beneath the delicate branches of a young apple tree, her sleep undisturbed by the world's whispers. The ancient symbols etched upon her shoulder speak of "spirit," hinting at the unseen energy that animates us all, even in our most restful moments. This slumbering form is a sanctuary of peace, her dreams a hidden realm where the spirit roams free. Above her, the apple branches bow gently, a nod to the biblical Eve's apple, symbolizing knowledge, temptation, and the duality of innocence and awareness. It is a fruit laden with the weight of history, yet here it is presented anew, in a light untainted by the past's shadows. This work is an invitation to pause, to reflect on the spirit within and the nature that surrounds us, to find the sacred in the everyday. "Slumbering Spirit" is a celebration of the inner quiet that nourishes the soul and a recognition of the profound narratives that sleep can tell. ABOUT ARTIST: Tetiana Pchelnykova...

"Contemplations by the River," part of my evocative "Thoughts" series, is a journey into the serene embrace of nature and the introspective spirit of femininity. This painting resona...

Circle of Guido Reni (Bologna 1575 - Bologna 1642) - Cupid. 73.5 x 60cm. Antique oil painting on canvas, without frame. - The painting is taken from an original by Guido Reni (Bol...

Artist: Vadym Mykhalchuk Title: Smile Year: 2017 Style: Pop Art Materails: Oil on canvas Height: 100 cm Width: 80 cm

Title: Production Plan-3 Medium: Oil on canvas Size: 11.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Portrait Of A Child As Napoleon Bonaparte, 17th Century FRANK THOMAS COPNALL (1870–1949) - one of a pair Large 19th Century portrait of a Childe depicted as Napoleon Bonaparte, oi...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm - 37.4x24.2 inches - without frame: 73x40cm ...

"Nude "odalisque Aux Pantins" Belgian Modern School By Georges Brasseur 1930" Georges BRASSEUR was an artist born in Belgium in 1880 and died in 1950. His works went up for sale at p...

ABOUT THE ARTWORK "Whispers of Venus" is a thought-provoking piece that captures the ethereal and timeless essence of the feminine divine. The subject, depicted with an air of conte...

Dave Seeley's (US based) "Gabrellia #2 Wrapt" is an original, handmade oil painting that depicts a female model, in a white dress, reclining.

Dave Seeley's (US based) "Gabrellia #3 S~Curve" is an original, handmade oil painting that depicts a nude female model standing in a contrapposto stance. About the artist: My sub...

After having posted images of his own paintings online and receiving warnings for going against "community standards", Conde argues that the female form, the greatest artwork ever c...

David van der Linden 'Don't let the sun blast your shadow'' 100 x 100 cm Oil on canvas framed in a black wooden frame (included in price) 115x115 cm David van der Linden is a Dutch...

Icarus, 19th Century follower of William Blake (1757-1827) 19th Century English Romantic School / Pre Raphaelite depiction of Icarus, oil on canvas. Full length scene of Icarus wi...

Modern nude study of woman seated in chair by American painter, Patricia Gren Hayes (b. 1932). Red haired women with side view of same woman with asymmetrical composition circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Nude Boy Posing As A Young Bacchus, 19th Century Christies stencil Large 19th century portrait of a young nude boy posing in a woodland as a young Bacchus, oil on canvas laid to b...

Dave Seeley's (US based) "Erica #1" is an original, handmade oil painting that depicts a reclining nude model on a black couch with a white sheet.

Expressionist female nude portrait by noted Scottish artist Douglas Thomson. The painting is signed bottom left and signed and titled to the back of the canvas. There is an original exhibition title and price label to the frame. Presented in original plain wood frame. A colourful and striking portrait of a female nude. Her rich red hair falling over her shoulders, her pose calm as she stares out from the canvas in a wistful way, her mouth set. Thomson has created flesh tones, wonderful contrast of colours between the sitter and the background curtain and wall and a texture to the canvas to create added interest. A really interesting and engaging portrait. Douglas Thomson was born in Greenock in 1955 and after studying at the Glasgow School of Art 1974...

Dave Seeley's "Elemental Fire Starter" is an exquisite example of nude figure oil painting artistry, masterfully rendered on canvas mounted on...

ABOUT THE ARTWORK The title "Duality in Unity" encapsulates the concept of dualism— the joining of two separate elements, entities, or ideas to form a unified whole. It conveys the ...

Aion, God of Time & The Orb, 19th Century French School 19th Century French School depiction of Aion and the Orb, oil on panel. Excellent quality and co...

Antique impressionist nude woman portrait oil painting. Oil on canvas. Framed.

Dave Seeley's "Audrey #1" is an original, handmade oil painting that depicts a nude female model reclining on blue velvet fabric as she turns her face away from the viewer.

This beautiful French 19th century Orientalist oil painting is by noted French artist Joseph Caraud. It was painted circa 1848 when Caraud was painting Algerian scenes. The compositi...

John Garth (1889-1971). female, nude, painting by prolific California artist widely recognized for his astonishing murals. Oil on canvas board. 14 x 24.5 unframed, 16.5 x 27 framed.