Foil Abstract Prints

Frank Stella Plutusia, from Imaginary Places II (Axsom & Schnitzer, 246), 1996 52 color lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade...

Robert Indiana FALCO Dance Company (Hand Signed/Dedicated), 1968 Silkscreen on metallic and wove paper Hand signed by Robert Indiana with personal inscription on the front Unframed T...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...

Jim Hodges and Andy Warhol I Remember Heaven Offset Lithograph with silver foil on glossy stock Year: 2007 Size: 24x18in Edition: 1,000 Unsigned and unnumbe...

Christo and Jeanne-Claude The Wrapped (MCA), 1969 (Hand Signed), 2019 Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp. Hand Signed by Christo 22 3/5 × 30 inches Edition of 200 Hand-signed by artist, Signed in graphite pencil by Christo on the front. Also elegant gold foil stamp. Unnumbered from the documented limited edition of only 200 Published by Museum of Contemporary Art, (MCA) Chicago Unframed A great gift for anyone with ties to Chicago! This limited-edition, hand signed offset lithograph on 110 lb. Crane Lettra Cover stock commemorates Christo's exhibition "Wrap In Wrap Out", which took place at the MCA’s original location on 237 East Ontario Street, Chicago. The project became the first public building Christo and his wife, Jeanne-Claude, wrapped in the United States. In an illuminating 2010 article entitled, "A daring plan to wrap a Chicago museum raises city ire – and makes art history," author Robin Amer recounts how Christo came to choose Chicago -- or rather how Chicago chose New York based artist Christo: "During a recent conversation he [Christo] ticked off the list of buildings he approached in downtown Manhattan starting in 1961. “Number 2 Broadway, number 20 Exchange Place,” he recalled. “We tried to wrap a building at Times Square. They all said no. Christo said he quickly realized that his best hope to wrap a building – his first in North America – would be to wrap a museum, which might be more amenable to his strange proposition.Christo and Jeanne-Claude approached New York’s Museum of Modern Art in 1967. The museum was interested, but Christo said they failed to secure permission for the show from the New York Fire...

Artist: Joe Zucker - American (1941- ) Title: Ponce de Leon’s Flagship Year: 1984 Medium: Lithograph with acrylic and collage Size: 36 x 48 inches Signature: Signed, dated lower right Condition: Very good Edition: 18. This one: 10/18 Series: From a series of 5 lithographs on Ponce de Leon and his discovery of Florida Publisher: Solo Press This very fine print with acrylic and collage the collage elements are foil) is by the noted American artist Joe Zucker (1941-). It is in very good condition. I have included below Zucker’s biography and very extensive CV from his website. Biography 1941 Born in Chicago, Illinois Lives and Works in East Hampton, New York Education 1966 MFA, School of the Art Institute of Chicago 1964 BFA, School of the Art Institute of Chicago Selected Solo Exhibitions 2022 Detritus 2020, The Madoo Conservancy, New York 2019 100-Foot-Long Piece, Marlborough, New York Forbidden Motion – Surface, Image and Metaphor, Thomas Brambilla Gallery, Bergamo, Italy 2017 1000 Brushstrokes, Maccarone, Los Angeles Armada, National Arts Club, New York 2015 Life & Times of an Orb Weaver, Parrish Art Museum, Water Mill, NY 2013 Empire Descending a Staircase, Mary Boone Gallery, New York 2011 A Unified Theory, Mary Boone Gallery, New York The Grid Paintings, Corbett vs...

A dazzling visionary art print with psychedelic patterned imagery in metallic silver, teal, and yellow by Ian McNeil Cooke (British, b.1937). The Merm...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum. Baj was an Italian artist best known for his political collages, prints, paintings, and sculptures. He was close to the surrealist and dada movements, and was later associated with CoBrA. Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art. Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nuclear...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

This shiny foil-embossed collage was created by American artist Beverly Pepper (b. 1922). Throughout Pepper's career, she became known for her graceful geometric welded steel sculptu...

In this untitled serigraph, Vincent DiMattio combines the aesthetics of the space age with Pop Art sensibilities and techniques. In the postwar era of the 1950s and 1960s, the United States was in the midst of a period of economic growth for the middle class, and so the trappings and imagery of middle class life became the subjects of a number of artists. While figures like Andy Warhol focused on images of celebrities and soup cans, here DiMattio looks to robots and rockets. At the far left, a figure appears with a round green head and a small clamping arm. To the right, a form like a tank with phallic protrusions, one with a head like the form of a space ship. These signs all alight with the space age toys...

Artist: SICA, American (1932 - ) Title: Ruth Medium: Embossed Silkscreen on Foil Paper, Signed and numbered in pencil Edition: 19/150 Size: 24 x 19 in. (60.96 x 48.26 cm)

Artist: Robert Squeri, American (1923 - ) Title: Eclipse Year: circa 1970 Medium: Etching with Aquatint, signed in pencil Edition: AP Image Size: 17.5 x 17.5 Size: 21.5 x 21.5 in. (5...

Artist: Robert Squeri, American (1923 - ) Title: Black on Silver Year: circa 1970 Medium: Silkscreen on Foil Paper, signed and numbered in pencil Edition: 32/50 Image Size: 17 x 26 i...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Concentric Space (Silver) Year: 1969 Medium: Silkscreen on foil paper, signed and numbered in pencil Edition: 50 Image...