Art by Medium: Woodcut
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Medium: Woodcut
Utagawa Kunisada (1786-1865) - Framed Japanese Woodblock, Tale of Genji
Located in Corsham, GB
This intricate coloured print is a fine example of Kunisada's later work. The image tells a scene from the Tale of Genji. The signature to the lower left of the print reflect the sig...
Category
19th Century Art by Medium: Woodcut
Materials
Woodcut
Set of Four Framed Wood Cut Prints After André Derain
By André Derain
Located in Pasadena, CA
Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François).
The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...
Category
1940s Fauvist Art by Medium: Woodcut
Materials
Lithograph, Woodcut
Kabuki Actor in Blue Kimono - Original Woodblock Print
Located in Soquel, CA
Kabuki Actor in Blue Kimono - Original Woodblock Print
Original woodblock print depicting a Kabuki actor in a blue kimono by Suzuki Harunobu (Japanese, 1725-1770). The actor holds u...
Category
1760s Edo Art by Medium: Woodcut
Materials
Ink, Rice Paper, Woodcut
original woodcut
By Joan Miró
Located in Henderson, NV
Medium: original woodcut. Reference: Dupin 1294. Published for the Jacques Dupin catalogue raisonne "Miro Graveur III" in 1992. Size: 12 1/2 x 9 3/4 inches (320 x 247 mm). A rich imp...
Category
1990s Abstract Art by Medium: Woodcut
Materials
Woodcut
Ripple
Located in Columbia, MO
Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...
Category
21st Century and Contemporary Contemporary Art by Medium: Woodcut
Materials
Mulberry Paper, Woodcut
tile pool 3
Located in Columbia, MO
Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...
Category
21st Century and Contemporary Contemporary Art by Medium: Woodcut
Materials
Mulberry Paper, Woodcut
Fountain
By John Buck
Located in Boca Raton, FL
John Buck is well known for his carved wood and bronze sculptures and monumental woodblock prints. In recent years, he has turned his attention to creating ever-more-complex mechanic...
Category
1980s Contemporary Art by Medium: Woodcut
Materials
Woodcut
Jim Dine 'Pinocchio' SIGNED + NUMBERED
By Jim Dine
Located in Brooklyn, NY
Paper Size: 33 x 24.5 inches ( 83.82 x 62.23 cm )
Image Size: 30 x 21 inches ( 76.2 x 53.34 cm )
This fascinating piece of artwork by Jim Dine titled "Pinocchio," features a seven-co...
Category
Early 2000s Pop Art Art by Medium: Woodcut
Materials
Mixed Media, Screen, Woodcut
The Celestial Staircase - Woodcut print - 1963
Located in Roma, IT
The Celestial Staircase from the Series "The Divine Comedy" by Dante Alighieri is an woodcut print realized in 1963.
Good conditions. Not signed.
Plate n.21 (as reported on the ba...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Ex Libris OOle - Woodcut Print - 1940s
Located in Roma, IT
Ex Libris OOle is an Modern Artwork realized in the first half of the 20th Century .
Original B/W woodcut print on ivory-colored paper.
The work is glued on cardboard.
Total ...
Category
1940s Modern Art by Medium: Woodcut
Materials
Woodcut
Günther Förg, Untitled (Portfolio Pi) - Signed Woodcut Print, Abstract Art
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013)
Untitled (from Portfolio Pi), 1995
Medium: Woodcut on wove paper
Dimensions: 80 x 60 cm
Edition of 98: Hand-signed and numbered
Category
21st Century and Contemporary Abstract Art by Medium: Woodcut
Materials
Woodcut
Günther Uecker, Lichtungen IV - Abstract Art, Signed Woodcut Print
Located in Hamburg, DE
Günther Uecker (German, born 1930)
Lichtungen IV, 1997/1998
Medium: Woodcut on wove paper
Dimensions: 62.5 x 51.5 cm
Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil
P...
Category
20th Century Abstract Art by Medium: Woodcut
Materials
Woodcut
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Located in Soquel, CA
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...
Category
1760s Edo Art by Medium: Woodcut
Materials
Woodcut, Ink, Rice Paper
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, we...
Category
Early 19th Century Edo Art by Medium: Woodcut
Materials
Ink, Rice Paper, Woodcut
Purgatory 13 - The Second Terrace - Color woodcut - 1963
Located in Paris, FR
Salvador Dali (1904-1989)
Purgatory 13 - The Second Terrace
Color woodcut on paper
Printed signature
1960/63
Printed on paper Vélin BFK Rives
Size 32,8 x 26,4 cm (c. 13 x 10")
REFE...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Hell 11 : At the Edge of the Seventh Circle - Woodcut - 1963 (Field #p. 189)
Located in Paris, FR
Salvador Dali (1904-1989)
Hell 11 - At the Edge of the Seventh Circle
From the Divine Comedy (Dante)
Original woodcut
Signature printed in the plate
1960/63
Printed on paper Vélin B...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Ex-Libris - D. Logeman-Van Der Willigen - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - D.Logeman-Van Der Willigen is an artwork realized in Mid 20th Century.
Woodcut B./W. print on paper. The work is glued on cardboard.
Total dimensions: 21 x 15 cm.
Ex...
Category
Mid-20th Century Modern Art by Medium: Woodcut
Materials
Woodcut
Rascals in Paradise - Figurative Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Various surfing gestures and rad moves are the subject matter here, in which the negative space becomes the subject. Printed on buff paper.
Rascals in Paradise - Figurative Print -...
Category
2010s Color-Field Art by Medium: Woodcut
Materials
Woodcut
Georges Braque -- Si je mourais là-bas (If I Died There) (Vallier 181)
Located in BRUCE, ACT
Georges Braque
Si je mourais là-bas (If I Died There) (Vallier 181), 1962
Wood engraving printed in blue, on Japon paper
Hand signed lower right
Edition IV / X lower left
Printed by...
Category
1960s Art by Medium: Woodcut
Materials
Woodcut, Engraving
Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Minimal image in black ink on buff rice paper. Taro leaves are a simple form inspiring this woodcut print.
Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman
T...
Category
2010s American Modern Art by Medium: Woodcut
Materials
Woodcut
Steinhardt Woodcut Marian Anderson Signed African American, Israeli Bezalel Art
Located in Surfside, FL
Portrait in black and white, woodblock print. Pencil signed by both Jacob Steinhardt 1887-1968 and Marian Anderson. Very rare thus. (Commissioned by Dr. Leon Kolb, San Francisco)
3...
Category
1950s Expressionist Art by Medium: Woodcut
Materials
Woodcut
RAM - PROFILE
Located in Portland, ME
Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...
Category
1960s Art by Medium: Woodcut
Materials
Woodcut
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary Art by Medium: Woodcut
Materials
Woodcut
Dance Hall - Woodcut by Gaspard Maillol - Early 20th Century
Located in Roma, IT
Dance hall is a woodcut print realized by Gaspard Maillol (1880-1946).
Hand signed by the artist on the lower margin. Edition 19/160.
Gaspard Maillol , born on July 10 , 1880 in Ba...
Category
Early 20th Century Modern Art by Medium: Woodcut
Materials
Woodcut
Easter : Crucifixion - Woodcut on Arches vellum - Printed signature
Located in Paris, FR
Georges Rouault
Crucifixion
Woodcut and embossing (Raymond Jacquet workshop)
Printed signature in the plate
On Arches vellum
15 x 11" (38 x 28 cm)
INFORMATION : Woodcut published i...
Category
Mid-20th Century Modern Art by Medium: Woodcut
Materials
Woodcut
PUMPING JACK
Located in Portland, ME
Frasconi,Antonio. PUMPING JACK. Color woodcut, 1953. Edition of 8. Signed, titled, dated and numbered 3/8, all in pencil. 17 1/2 x 26 1/4 inches (image) on a larger sheet. Framed to ...
Category
1950s Art by Medium: Woodcut
Materials
Woodcut
Giant - Woodcut by Peter Blake - 1978
By Peter Blake
Located in Roma, IT
Giant is a contemporary artwork realied by Peter Blake in 1978
Woodcut on Japan paper, drystamped Waddington Graphics, London.
Plate dimensions: 15,5 x 13 cm
Mounted in a passepar...
Category
1970s Modern Art by Medium: Woodcut
Materials
Woodcut
The Bull Der Stier - German Expressionism Bull Der Sturm
By Franz Marc
Located in London, GB
This woodcut by Franz Marc is hand signed in pencil by the artist’s wife "Maria Marc", verso.
The paper also bears the violet inkstamp, verso "Handdruck vom Originalholzstock bastaet...
Category
1910s Expressionist Art by Medium: Woodcut
Materials
Woodcut
Untitled
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
1990s Abstract Art by Medium: Woodcut
Materials
Woodcut
Annunciation - Woodcut after Albrecht Durer - Early 20th Century
Located in Roma, IT
Annunciation is a woodcut print realized after Albrecht Durer in the early 20th century.
Good conditions with slight foxing.
The artwork is created through deft strokes by mastery.
Category
Early 20th Century Modern Art by Medium: Woodcut
Materials
Woodcut
Kaminoyama Jokoji Temple by Kiyoshi Saito- Limited Edition
Located in Pasadena, CA
What if art was simply the mirror of life, a reflection of the multitude of our existence and perception of our environment? Around the world, printing has become an essential part o...
Category
Mid-20th Century Art by Medium: Woodcut
Materials
Woodcut
Daitokuji Temple Wood Block by Kiyoshi Saito - Limited Edition
Located in Pasadena, CA
As a component of the broader ukiyo-e tradition, woodblock prints (known as Hanga) showcase an evolution from craft to a significant art form. Among the myriad printmakers, Kiyoshi S...
Category
Mid-20th Century Art by Medium: Woodcut
Materials
Woodcut
Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category
1850s Realist Art by Medium: Woodcut
Materials
Printer's Ink, Rice Paper, Woodcut
Leda and the Swan - Painting - 1978
Located in Roma, IT
Leda and the Swan is a modern artwork realized by an Anonymous artist in 1978.
Fair condition with a missing piece of paper.
Tempera and waterclor on paper.
Category
1970s Modern Art by Medium: Woodcut
Materials
Woodcut
Apple
Located in London, GB
Rachel Howard
Apple, 2016
Woodcut print
48 × 39.8 cm
Edition of 25
Rachel Howard is a contemporary British artist known for her dynamic and emotive paintings that explore themes of ...
Category
2010s Contemporary Art by Medium: Woodcut
Materials
Woodcut
"Carbonyl Iron" color woodcut on paper by artist Damien Hirst. Edition 23 of 55.
By Damien Hirst
Located in Boca Raton, FL
"Carbonyl Iron" color woodcut on paper by artist Damien Hirst. Signed lower right, numbered verso. Edition 23 of 55. Image size: 24 x 24 inches.
Category
2010s Contemporary Art by Medium: Woodcut
Materials
Paper, Woodcut
A Bird in the Hand is Worth Two Squirrels in a Cactus, animals
By Jenny Toth
Located in Brooklyn, NY
This is an unusual image in the cactus-filled desert of a squirrel reaching towards a human hand that is tenderly holding a small bird. The image is striking because of its strong g...
Category
2010s Modern Art by Medium: Woodcut
Materials
Watercolor, Pen, Woodcut, Archival Ink, Archival Paper
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Located in Fairlawn, OH
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity
Woodcut, 1491
Unsigned, as issued
Published by Anton Koberger
Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center.
Condition: Very good for a 15h century woodcut, with the usual slight age stains
Sheet size: 11 1/2 x 8 1/4 inches
Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century.
Michel Wolgemut Biography
Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death.
In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him.
Woodcuts
Michael Wolgemut, Danse Macabre, 1493
Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...
Category
15th Century and Earlier Old Masters Art by Medium: Woodcut
Materials
Woodcut
Cheers! - Woodcut by Hermann Paul - 1910s
Located in Roma, IT
Cheers! is a woodcut print on creamy-colored paper realized by Hermann Paul, in the 1910s.
Good condition with slight folding and repaired cutting.
René Georges Hermann-Paul (27 De...
Category
Early 1900s Modern Art by Medium: Woodcut
Materials
Woodcut
The Cathedral - Woodcut By Charles Dubin - Early 20th Century
Located in Roma, IT
The Cathedral is a watercolored woodcut print, realized by Charles Dubin in the 20th Century.
The state of preservation is Good.
The artwork is depicted skillfully through confiden...
Category
20th Century Modern Art by Medium: Woodcut
Materials
Woodcut
Clifton Karhu Pagoda Print, 1960s/70s
Located in Larchmont, NY
Clifton Karhu (1927-2007)
Pagoda at Yasaka, c. 1960s/1970s
Woodblock Print
Sight: 11 x 14 1/2 in.
Framed: 18 1/2 x 22 3/4 x 1 in.
Signed lower right in the plate: C Karhu
Karhu was ...
Category
1960s Modern Art by Medium: Woodcut
Materials
Woodcut
Boy Mounted on a Frog - Woodcut Print - 1830s
Located in Roma, IT
Boy Mounted on a Frog is a woodcut print on paper realized by an unknown artist in the 1830s
Good conditions.
The artwork is created through smooth delicate strokes by mastery.
Category
1830s Modern Art by Medium: Woodcut
Materials
Woodcut
Cosmic Order
Located in Raleigh, NC
Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University.
See...
Category
1950s American Modern Art by Medium: Woodcut
Materials
Woodcut
Counter Event
Located in Raleigh, NC
Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University.
See...
Category
1960s Abstract Art by Medium: Woodcut
Materials
Woodcut
"Le centaure" original woodcut
Located in Henderson, NV
Medium: original woodcut. This impression on thin wove paper was printed in 1902 and published by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/2 inches (207 x 140 mm). Signed in t...
Category
Early 1900s Expressionist Art by Medium: Woodcut
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Art by Medium: Woodcut
Materials
Woodcut
The Joust
Located in Raleigh, NC
Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University.
See...
Category
1950s American Modern Art by Medium: Woodcut
Materials
Woodcut
Trees
Located in London, GB
Woodcut on BFK Rives paper, produced in 2020. Edition of 100. Mint condition, unframed. Signed and numbered in pencil by Nicolas Party.
Category
2010s Contemporary Art by Medium: Woodcut
Materials
Woodcut
HELL CANTO 19
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut, Paper
Hell 33 - The Betrayers of their Hosts - woodcut - 1963 (Field p. 189)
Located in Paris, FR
Salvador Dali (1904-1989)
Hell 33 - The Betrayers of their Hosts
woodcut
Printed signature in the plate
1960/63
Printed on paper Vélin BFK Rives
Size 32,8 x 26,4 cm (c. 13 x 10")
R...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
"Motif aus Improvisation 25: The Garden of Love" original woodcut
Located in Henderson, NV
Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sh...
Category
1930s Expressionist Art by Medium: Woodcut
Materials
Woodcut
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Art by Medium: Woodcut
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Art by Medium: Woodcut
Materials
Woodcut
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Art by Medium: Woodcut
Materials
Woodcut
original woodcut
By Joan Miró
Located in Henderson, NV
Medium: original woodcut. Reference: Dupin 1295. Published for the Jacques Dupin catalogue raisonne "Miro Graveur IV" in 2001. Sheet size: 12 1/2 x 9 3/4 inches (320 x 248 mm). A ric...
Category
Early 2000s Abstract Art by Medium: Woodcut
Materials
Woodcut
HELL CANTO 1
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut, Paper
Surimono - Original Woodcut Print by Yashima Gakutei - 1820/1846
By Yashima Gakutei
Located in Roma, IT
Surimono is a beautiful color woodcut with white and silver gold embossing, made between 1820 and 1846 by the Japanese artist Yashima Gakutei.
A young woman is squatting on the floor, holding a musical instrument, the favorite subject of the Japanese master.
With a layer of dust, a small hole in the upper margin to the right and some fading, the original print is still in good condition and retains its incredible charm.
Really the surimonos are a genre of Japanese woodblock prints, privately commissioned for special occasions. Being produced in a small edition for a mostly educated audience, surimono were often more experimental in subject matter and treatment, and extravagant in printing technique, than commercial prints.
Good conditions except a minor fading on top and some brushing of paper.
Yashima Gakutei (c. Osaka, 1786 - 1868)
The Japanese artist and poet was a pupil of both Totoya Hokkei...
Category
Early 19th Century Modern Art by Medium: Woodcut
Materials
Woodcut
The White & Black Set
Located in Lyons, CO
Color woodcut/lithograph with chine collé and collage
Woodman returned to Shark's in 2015 to make her most recent print "The White & Black Set". The artist poses a set of white a...
Category
21st Century and Contemporary Contemporary Art by Medium: Woodcut
Materials
Lithograph, Woodcut
Woodcut art for sale on 1stDibs.
Find a wide variety of authentic Woodcut art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, purple, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mino Maccari, Utagawa Kunisada (Toyokuni III), Eric Gill, and Utagawa Hiroshige. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Woodcut art, so small editions measuring 0.04 inches across are also available
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