Screen Prints and Multiples

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Josef Albers White Line Squares: A set of 6 lithographic inserts (measuring approx 7.25 x 7.25 inches each), published as part of the 1966 ex...

Rare promotional poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Instituto de Cultura Puertorriquena San Juan, 1966. Sheet measures 18 x...

Jean-Michel Basquiat Skateboard Deck: Limited edition skate deck licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar in 2018, fe...

This print has a deep blue background and brightly colored red and orange billiards balls. John Gibson has been painting delicate still-life arrangements of balls since the 1990s. T...

Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Noveno Festival de Theatro Puertorriqueno, 1966. Screen print poster on p...

Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Serigraph on Shikishi Board Hand Signed by Yoko Ono

Landscape is an artwork realized by Friednsreich Hundertwasser around 1980s. The screen printing is made of metal foil embossing and high gloss lacquer finishing, on a black backg...

Artist: Giancarlo Impiglia, American (1940 - ) Title: Backgammon Players Year: 1988 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 40 Size: 35 in. x 40 in. (88.9 c...

ANOTHER DAY is an original limited edition woodcut and screen print by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand-carved by Otto ...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered 76/120 on the front in ink (each example is a unique varia...

Artist: Gene Davis (American, 1920-1985) Title: "Royal Curtain" *Signed by Davis in pencil lower right Year: 1980 Medium: Original Screenprint on Arches paper Limited edition: 250, (the number may differ from what is shown in the photos) Printer: Alpha Omega...

Tide by KAWS 10-color silkscreen on Coventry Rag paper with water base and ultraviolet ink 27.9 x 23.2 cm Edition 87 of 100 Signed and numbered Published by Phaidon. Mint condition, ...

Untitled is an artwork realized by Franco Giuli, in 1970s.  Screen print, 70 x 50 cm. Edition, 36/99. Hand signed lower right margin. Good conditions

Artist: Michael Knigin, American (1942 - 2011) Title: Art Deco 1925 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 33.5 x 21 in. (85.09 x 53.34 cm)

Artist: Hunt Slonem, American (1951 - ) Title: Curtains Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: HC 10 Image Size: 22 x 26.5 inches Size: 26 ...

Artist: After Helen Frankenthaler (1928-2011) Title: Solar Imp (Lincoln Center Salute’s the New York City Ballet) Year: 2001 Medium: Silkscreen poster on extra thick Somerset paper E...

On the blue tree is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left...

Sku: NR107 Artist: Roy Lichtenstein Title: Landscape With Figures and Rainbow Lg Year: 1989 Signed: No Medium: Serigraph Paper Size: 39.25 x 51 inches ( 99.695 ...

Rene Magritte Le fils de l'homme, 2018 7-Ply Grade A Canadian Maplewood 31 × 8 inches Edition 35/250 Authorized artist's signature on the deck; hand numbered. along with separate hand signed COA by The Skateroom...

Shepard Fairey The Woman Who Defeated Pain (Frida Kahlo) Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 550 Signed, dated and numbered by hand...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Paper Size: 27.5 x 35.5 inches ( 69.85 x 90.17 cm ) Image Size: 20 x 25.5 inches ( 50.8 x 64.77 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...

Paper Size: 11 x 7.5 inches ( 27.94 x 19.05 cm ) Image Size: 11 x 7.5 inches ( 27.94 x 19.05 cm ) Framed: No Condition: A: Mint Additional Details: Silkscreen printed on heavy ...

Serigraph in colors on paper. Hand signed and numbered by the artist. Image size 26.25 x 26.5 inches. Frame size approx 40 x 40 inches. AP edition of 50. Artwork in excellent con...

Landscape of memory is a contemporary artwork realized by Shu Takahashi in 1987. Mixed colored screen print.  Hand signed and dated on the lower margin. Numbered on the lower marg...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Reference: Feldman-Schellmann, II.127. Signature and edit...

Paper Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Image Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

The greeting is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left mar...

A limited edition silkscreen poster Keith Haring designed for Playboy. This limited edition run of 1000 was published in 1990 by Special Editions Ltd. The signature and date is in th...

Eduardo Naranjo (Spain, 1944) 'Poemas del Lago Eden Mills (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24....

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition size: 250 Size: 25 in. x 25 in. (63.5 cm x 63.5 cm)

AURORA'S GARLAND is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. AURORA'S GARLAND presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, pink lavender, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto a glowing lampost. An elegant and fanciful, rose tinted French maison rendered in a Chiâteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, surrounded by a textural stone wall, precisely trimmed hedges, lush leafy trees, and flowering shrubbery. AURORA'S GARLAND creates a fairytale ambience reminiscent of the magical works of the renowned 1920's illustrator Maxfield Parrish. 11 " x 11.5" print size, unframed, excellent condition, signed in gold ink pen...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed

CB Hoyo titled Overthinking Will Fucking Kill You. Condition: Brand New Signature: Signed and Numbered by Artist in Pencil, C.B. HOYO. Dated 2020. Frame: Not included Edition of onl...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 26 x 26 inches. Sheet size 34.5 x 30 inches. Frame size approx 40 x 37 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Paper Size: 15 x 15 inches ( 38.1 x 38.1 cm ) Image Size: 15 x 15 inches ( 38.1 x 38.1 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Excellent Inscription...

Poster. Measures 33 x 27 in. Unframed. Plate-signed. Copyright 1971 New York Graphic Society, Ltd. Printed in USA. Excellent/Good Condition.

Artist: LeRoy Neiman, American (1921 - 2012) Title: The Rocket: Roger Clemens Year: 2003 Medium: Serigraph, signed and numbered in pencil Edition: 192/325 Image Size: 27.5 x 36 inche...

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Sku: YY2505-B Artist: Alex Katz Title: Sarah-American Dance Festival Year: 2011 Signed: Yes Medium: Serigraph Paper Size: 48 x 34.25 inches ( 121.92 x 86.995 cm ) Image Size: 48 x 34...

Nelson Dominguez (Cuba, 1947) 'Untitled', 2002 lithograph on paper Guarro Super Alpha 250g. 13.5 x 11.5 in. (34.2 x 29.2 cm.) Edition of 48 ID: DOM-30...

Artist: Victor Vasarely (1908-1997) Title: Vega Blue Year: Circa 1982 Medium: Silkscreen on Arches paper Edition: 190/300, plus proofs Size: 30 x 22 inches Condition: Good Inscriptio...

Hand Signed and Numbered in Pencil. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be considered.

Untitled is an artwork realized by Bengt Lindstrom (1925 - 2008). Screen Print. Cm 78,00 x 57,00. 7/100. Hand signed and numbered. Good conditions Bengt Lindström was born in Storsjökappel, a small village in Norrland, Sweden, on 3 September 1925. A few days after his birth, his godfather, the leader of the local Lapps, administered the baptism of the earth to him, making him pass through the roots of a dead tree, to order to ensure the protection of the gods against the dangers of life. The child grows up in this immense, harsh and mysterious land covered with lakes and forests where the legends and myths of the Great North hover. At ten years old his parents sent him to school in Härnösand, where he undertook scientific studies and where he began to paint. In 1944 he enrolled at the School of Fine Arts in Stockholm and in 1945 he moved to the School of Fine Arts in Copenhagen, at Aksel Jørgensen. In 1946 he was in Chicago where he attended courses at the Art Institute for a year. In 1947 he arrived in Paris, near Fernanad Léger, then in Montparnasse, at the André Lothe Academy where he met Marie-Louise Boudriot whom he married in 1951. In 1949 he visited Florence and Assisi, remaining fascinated by the frescoes of Giotto and Cimabue. In 1950, a scholarship from a Swedish newspaper allowed him to open his first atelier in the Marne Valley. First group exhibition in 1953 at the Craven Gallery in Paris. First individual exhibition in 1954 at Gummesons Konstgalleri in Stockholm. From these years onwards he usually stays between France and Sweden. In 1955 he also began to try his hand at lithography. In 1958 he exhibited in Paris at the Galerie Breteau, where the "masks", the "gods" and the "monsters" appeared for the first time. In 1959 he participated in “L’Europe nouvelle” in Lausanne. In 1961 he exhibited at the Tooth Gallery in London in a collective exhibition and with a solo exhibition at the Galerie le Zodiaque in Brussels. In 1965 he exhibited in Paris at the Galerie Rive Gauche, in Lille at the Galerie Nord and in Copenhagen at the Galerie Birch. In 1966 he exhibited at the Konstmuseum in Gothenburg. In 1967 he exhibited at the Carnegie Institute in Pittsburgh and at the Galerie Seibu in Tokyo. From 1968 to 1976 he exhibited annually at the Galerie Ariel for which he created a series of lithographs on Scandinavian mythology...

Richard Paul Lohse Mid Century Modern Geometric Abstraction, ca. 1969 Silkscreen on velincarton 39 1/4 × 39 1/4 inches Edition 43/100 Signed and num...

Signed, titled and numbered from the edition of 51. Image of a family in the park, mother cooking on the grill, and children playing soccer. Wayne Healy (born 1946) grew up in East Los Angeles, where political events in the 1960s stimulated his commitment to execute socially and culturally relevant public art. In the third grade, he collaborated on a dinosaur mural with David Botello. In 1975, the two ran into each other after many years, and Healy and Botello co-founded what became the mural team known as East Los Streetscapers. In 1992 Healy and artist Roberto Delgado were awarded a grant by the Joint Spanish/U.S. Committee for Educational and Cultural Cooperation to paint murals in Barcelona, Spain. They have created murals and public art works throughout the United States, Europe and Mexico with traveling exhibitions including "Le Demon des Anges", "2001: Hispanic Artists...

Alex Katz Day Lilies (Hand Signed and Inscribed by Alex Katz), 1992 Silkscreen on wove paper Boldly signed, inscribed and dated on the lower, right front in black marker by Alex Katz...

A dazzling visionary art print with psychedelic patterned imagery in metallic silver, teal, and yellow by Ian McNeil Cooke (British, b.1937). The Merm...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

"Cheek to Cheek to Cheek..." Nude Pop Culture Silkscreen on Paper (#100/100) Pop art silkscreen by notable artist Leo Posillico (American, b. 1944). Sev...

Roger Aguilar (Cuba, 1947) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: AGI-303 Hand-signe...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...