Catherine Koenig Art

"Rebirth" is a masterful collaboration between the artistic duo, Oda and Kit King, who together form a harmonious creative partnership both in life and on can...

Oil stick on paper titled "Barn Side with Sliding Doors" by George Vander Sluis (1915-1984) of a grey wooden barn with two windows as well as two r...

Arnold Blanch Nude Signed lower right Oil on board 20 x 16 inches Provenance: G. David Thompson Collection, Pittsburgh Private Collection, New York Bo...

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

This striking artwork captures the essence of a shirtless young man in a moment of profound contemplation. His gaze, both pained and optimistic, fixated upon an unseen horizon, offers a captivating entry point into the complex emotional narrative that underlies the piece. Salaudeen's use of color is masterful, drawing viewers' eyes immediately to the central figure. The young man's skin is rendered in a palette of subtle, earthy tones, emphasizing his vulnerability and humanity. The absence of a shirt lays bare his raw emotions and exposes the vulnerability we all share when facing adversity. However, it is the juxtaposition of the man's countenance that truly captivates the viewer. The artist has masterfully crafted an expression that is simultaneously heavy with the weight of the world and imbued with an undeniable glimmer of hope. The furrowed brow and furrowed lips are etched with the lines of a thousand struggles, yet his eyes betray a flicker of optimism. This duality is what makes "Help is Coming" so compelling; it encapsulates the human experience of confronting adversity, where pain and hope often intermingle in the most profound ways. The title, "Help is Coming," adds depth to the narrative woven into the piece. It suggests that, despite the pain etched onto the young man's face, there is a belief in a brighter future, a conviction that support and relief are on the horizon. This message resonates with viewers on a universal level, serving as a reminder that even in the darkest moments, there is the potential for change and improvement. Salaudeen's technique also deserves special mention. His meticulous attention to detail is evident in the fine lines and textures that make the young man's skin seem almost tangible. The background, although abstract and dreamlike, subtly hints at the broader context of the man's struggles, inviting viewers to interpret the piece through their own experiences and perspectives. "Help is Coming" is more than just a static image; it is a visual poem that speaks to the shared human experience of pain, resilience, and hope. It encourages us to reflect on our own journeys, reminding us that, no matter how daunting the challenges we face, there is always the potential for relief and redemption. In a world often filled with chaos and uncertainty, art has the power to provide solace and inspiration. Abdulateef Salaudeen...

Christopher Remmers' (US based) "Nomos" is an original, handmade oil painting that depicts a nude man hugging a glowing orb of light to himself as ...

Oil on canvas Signed in red, u.r. $3250.00 + $200.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Gloria Dudfield Hanging on a Bar 1960's Gouache and Oil Pastel on Paper 17.75"x17" Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a ...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed $700 *Custom framing available for additional charge. Please expec...

Sandor Bernath (1892-1984). Highland Lighthouse at Dusk, Truro MA. Watercolor on heavy wove paper, 17 x 17 inches; 18 x 18 inches framed. Excellent condition with no fading. Signed lower right. Silver leaf custom frame. Sandor Bernath was known for his stylized watercolors of sailing ships. He was a student of Edward Hopper. Born in Hungary on December 30, 1892, Bernath immigrated in his youth to the United States, and by the early 1920s had begun to establish himself within New York art circles. In January of 1922, he was given a one-man show at Mrs. Malcolm's Gallery on East 64th Street. Although little is known about Bernath's education and early training, this exhibition of nineteen watercolors included works, which suggest that by 1922, the artist had traveled and studied abroad. "Coast of Normandy" and "Shrine, Czechoslovakia" are two works the subjects of which certainly resulted from time spent in Europe. Other paintings exhibited in the 1922 show, such as "Brooklyn Bridge", "Weehawken Freight Yards" and "East River" reveal that on the whole, Bernath's earliest subjects remained those found in New York. After his show at Mrs. Malcolm's Gallery, Bernath became a member of the American Watercolor Society and later that year, showed six works at their annual exhibition. Unlike the works exhibited on East 63rd Street, the watercolors featured at the AWS show, such as "Grand Manan Coast" and "Fishing Boats", reflected a growing attraction to the subjects offered within the Maine landscape, an attraction which truly took hold in the summer of 1922. Like many of his peers, Bernath worked as a teacher and illustrator to support himself. In order to escape the tedium of these dreaded day-jobs, many retreated to the villages of Maine and Massachusetts where artists' communities such as those at Monhegan Island, Gloucester and Ogunquit had sprung from the modern artist's desire to study natural forms. By 1923, Bernath's fascination with these forms becomes apparent with the complete shift in focus of his subject matter from the sights and scenes of his urban surroundings to the land and seascapes of New...

An Ema is a votive plaque people hang in a "dedication area", at a Shinto shrine, with their wish to the gods. Wishes usually would revolve around health, love, career, prosperity, a...

Jack Hooper "Side Stretch Nude" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower left In this intriguing modernist artwork, Jack Hooper's minim...