Rémy Cogghe Art

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

Netherlands, 1870-1951 Constant Artz is the painter of the well-known extremely friendly and sunny scenes with a duck with young ones on the side of a ditch. He was born in Paris in...

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

A female and male Goosander bird on ice floes. In the center of the painting there is a smaller opening in the ice covered waters. This painting, by Christian Berg (1893-1976) is quite interesting and unusual for his works. It is signed "Ch. Berg" and dated 1918. Berg is mostly famous for his sculptures which was to become his signum works later in his life. He is known primarily for his abstract artworks. He was educated at the Technical School and Althin's painting school in Stockholm 1911–1914. In the years 1914–1917 he studied at the Royal Academy of Fine Arts and started with animal painting in the spirit of Bruno Liljefors. Our painting is from this period just after he finished his studies at the Royal Academy of Fine Arts. In 1921, he studied in Berlin and Dresden which was followed by a trip to Egypt in 1925. In the same year he moved to Paris and had a studio on rue Guénégaud. He studied with André Lhote and his interest in cubism was awakened. Made sketch drawings at the free academies Colarossi and La Grande Chaumière and in 1927 he met the Swedish artist Erik Olson...

Provenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...

BENJAMÍN PALENCIA Spanish, 1894 - 1980 THE PARTRIDGE signed & dated "B. Palencia, 66" (lower right) oil on canvas 25-3/4 x 21-3/8 inches (65 x 54 cm....

Snow, geese,white,Ukraine Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in ...

Pieter Stortenbeker (1828 – 1898) Cows in landscape Signed bottom left P. Stortenbeker Oil on canvas Dimensions: 95 x 67 cm. In original gilt frame (one repair, little damage) Pieter Stortenbeker (The Hague, 21 April 1828 - The Hague, 17 April 1898) was a Dutch watercolourist, lithographer and painter of the Hague School. His work contains genre painting, landscapes, animals and cityscapes. He received his education at the Royal Academy of Art in The Hague. He was a pupil of Hendrikus van de Sande Bakhuyzen, Johannes Stortenbeker and Jan Bedijs Tom. His pupils included Louis Apol, Willem Maris...

Vintage American modernist surreal landscape oil painting. Oil on canvas, circa 1940. Signed. Unframed. Image size, 28"L x 20"H.

Charming impressionist oil on canvas from the late 19th century representing a view of a quay in Rouen on the Seine with a herd on pasture and Rouen Cathedral...

Signed landscape oil on canvas circa 1890 by French Academic painter Marie-Francois Firmin-Girard. The work depicts a farmyard filled with animals - cows, horses, chickens and ducks. Signature: Signed lower left Dimensions: Framed: 29"x35" Unframed: 20"x26" Provenance: Private French collection As a very young man in 1854, Firmin Girard entered the studios of Charles Gleyre...

Rosa Bonheur was the most famous female artist of the 19th Century. We are grateful to Annie-Paule Quinsac for confirming the authenticity of this painting. The work is best viewed with top gallery light to bring out colors ____________________________________________ Rosa Bonheur: Three Bucks in the Fontainebleau Forest, erroneously Stags or Monarchs in the forest Oil on canvas, 29 x 24 inches [74 x 61cm], signed and dated lower left, Rosa Bonheur 1886 The discovery of this painting, a reinterpretation of Bonheur’s most iconic work Le roi de la Foret, [Monarch in the forest]is a significant event in the artist’s scholarship. In forty years of study, I was not aware of its existence and did not find any reproduction of it throughout my extensive reading. Bought by the present owner at the Stamford Winter Auction in 2008, it had been the property of a certain Captain [ name illegible] until January 29, 1920, or from that date {?}. The label on the back of the canvas reads: “Collection of Captain J.H.Gaucis Jan.29,1920”. [the handwriting on the label is extremely unusual; my deciphering of it induces me to propose this last name, Latvian in origin] […] This work could not have been offered among the 95 paintings that compose the catalog section titled “Stags, Hinds, Roebucks,” [ NN.320-415] in the catalog of the Rosa Bonheur Posthumous Sale organized by the Galerie Georges Petit in Paris, which included over two thousand pieces kept in the studio and not sold during her life time : it does not correspond to any of the description or measurements given in these catalog entries. The number 5527inscribed in red on the back of the canvas could refer to the painting having be handled by the Knoedler Galerie, Paris and New York, which after Bonheur’s death, that of Ernest Gambart (1814-1902and George Petit, (1856-1920) was instrumental in the continued diffusion of her work in the US, maintaining her prices that had crashed elsewhere in Europe. Despite difficulties in tracing the provenance history, the attribution to Rosa Bonheur, cannot be denied. Stylistic and iconographic characters are typical of her expressive means in the late 80’s. Also, it cannot be questioned that the calligraphy of signature and date is hers. The work depicts three male deers- or bucks- of different age, in a trail, deep in the forest at twilight, just after sunset toward the end of Fall. The two big ones, have stopped in their track, facing the beholder frontally; the small one, in profile, seems ready to move in another direction. The umbrella term deer, or the more specific one buck {male deer} could both be used as title to this painting, rather than stag, which implies an old majestic senior male deer, considered the King of the forest also called Monarch. In the Cervidae family, the number of points of a deer’s antler is one of the indicators of age, along with body mass and overall size. In our painting, the most prominent stag is massive and has a twelve points antler – qualifying as Monarch. The one immediately behind him exhibits an eight points antler and appears strong and imposing as well does not possess but not his companion’s poise. It is a mature stag. The last one, slender, shoulders not quite muscular yet, with barely six points to his antler, could not be more than two years old. The intensity of expression of the two older stags and their presence in the landscape which is rendered as their stage, are characteristic of Bonheur’s rapport to animals and nature. The painting’s varnish has deteriorated and forms a film that will need to be removed through a cautious cleaning. It is particularly important that the transparent haze that evokes the humidity of the forest at that crucial moment of the light be preserved. It contributes to the painting vibrance. Since 1860, when Rosa Bonheur moved to the Chateau of By, which she had bought with her companion Nathalie Micas, the Fontainebleau Forest which was at a stone through of her property, became ground of studies and the Cervidae a common subject. By then, she would already sketch en plein air, and months or years later, create paintings from start to finish in the studio using the visual material collected while walking through nature or observing animal in their milieu. Her first image of the Great Monarch in the forest, represented frontally and in a similar forest background is the 1868 painting Le cerf de Saint Hubert [Hubertus’ Stag], an illustration of the legend of Saint Hubertus in which she included a cross between the stag’s antlers. As the story as it, Hubertus was a passionate hunter and would often forget his religious duties to go hunting. On a certain Sunday in the depth of a forest, where he had ventured alone, he began to pursue a stag The animal faced him and while a cross appeared between his antlers, the voice of God was heard, directing him to repent ad respect all animals. Rosa Bonheur was herself a hunter but also a spiritualist, influenced by the Saint Simonian creeds and by spiritism. She believed that certain animals had a soul. I personally think that magnificent monarchs and the St Hubertus...