Items Similar to Theater Actor in Black Coat on Stage- Woodcut by Utagawa Kunisada - 19th Century
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Utagawa Kunisada IIITheater Actor in Black Coat on Stage- Woodcut by Utagawa Kunisada - 19th Century19th Century
19th Century
About the Item
This figuration of a theater actor in a black coat on stage is the work of the Japanese artist Utagawa Kuniyoshi /1798-1861).
The brilliance of the colors, the graphic precision as well as the purity of the line give it a great plastic quality.
In a traditional "oban" format, this beautiful print is presented in a mat ivory bristol board in the outer size of 44.4x32.2 cm.
Even if it has 4 small consolidation restorations on the back, its general state of conservation is good.
- Creator:Utagawa Kunisada III (1848 - 1920)
- Creation Year:19th Century
- Dimensions:Height: 14.49 in (36.8 cm)Width: 9.97 in (25.3 cm)Depth: 0.02 in (0.3 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,824 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Rônin in the Night, Armed with a Club - Woodcut by Utagawa Kunisada-19th CenturyBy Utagawa Kunisada IIILocated in Roma, ITThis magnificent woodcut print signed Toyokuni III represents a Ronin in the night, armed with a club, and was realized by Utagawa Kunisada (1786-1865) in the mid 19th Century. The ...Category
19th Century Old Masters Figurative Prints
MaterialsWoodcut
- Man in Blue Coat Carrying Goods - Woodcut by Utagawa Kunisada - 19th CenturyBy Utagawa Kunisada IIILocated in Roma, ITThis portrait of a man in Blue Coat carrying goods in the work of the japanese artist Utagawa Kunisada (1786-1865), otherwise known as Toyokuni III. Whether through the use of color...Category
19th Century Old Masters Figurative Prints
MaterialsWoodcut
- A L'Image Notre Dame - Woodcut by Charles-Antoine Jombert - 1755Located in Roma, ITA L'Image Notre Dame is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.Category
1750s Old Masters Figurative Prints
MaterialsWoodcut
- Der Weisskunig - Woodcut Prints by Various artists - 1775Located in Roma, ITDer Weisskunig is an ancient set of Woodcuts realized in 1775, There are 14 plates from the Weisskunig series, the fictitious biography of Emperor Maximilian I...Category
18th Century Old Masters Figurative Prints
MaterialsWoodcut
- View of Mausoleo of Cecilia Metella - Etching by G. B. Piranesi - 1773By Giovanni Battista PiranesiLocated in Roma, ITView of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773. Precoius roman edition. Complete title on the lower ma...Category
1770s Old Masters Figurative Prints
MaterialsEtching
- Avanzi di una Sala Termane... - Original Etching by L. Rossini - 1824By Luigi RossiniLocated in Roma, ITAvanzi di una Sala Termale nella Villa d'Orazio a Tivoli, sotto il convento di S. Antonio Image dimensions: 43.5 x 52 cm. From the collection “Le antichità de’ contorni di Roma (...)...Category
1820s Old Masters Figurative Prints
MaterialsEtching
You May Also Like
- Saints Stephen, Sixtus, and LaurentiusBy Albrecht DürerLocated in Middletown, NYcirca 1504 Woodcut on cream laid paper, 8 1/2 x 5 7/8 inches (215 x 148 mm), thread margins. Significant expert repairs to lower right sheet edge, and center right sheet edge. Mino...Category
16th Century Old Masters Figurative Prints
MaterialsLaid Paper, Woodcut
- BATHOS / Tail PIeceBy William HogarthLocated in Santa Monica, CAWILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I) Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...Category
1760s Old Masters Figurative Prints
MaterialsWoodcut
- Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True RichesLocated in Fairlawn, OHFather Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity Woodcut, 1491 Unsigned, as issued Published by Anton Koberger Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center. Condition: Very good for a 15h century woodcut, with the usual slight age stains Sheet size: 11 1/2 x 8 1/4 inches Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century. Michel Wolgemut Biography Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death. In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him. Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...Category
15th Century and Earlier Old Masters Figurative Prints
MaterialsWoodcut
- The Holy Family with Two Musical Angels"By Albrecht DürerLocated in San Francisco, CAOriginal woodcut printed in black ink on laid paper bearing the “Large Bear” watermark (Meder 89, typically seen in the earliest impressions of this woodcut). Dated in the block ...Category
Old Masters Figurative Prints
MaterialsWoodcut
- Saint Simon, from Christ and the ApostlesBy Ludolf Ludwig BusinckLocated in Middletown, NYChiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...Category
Early 17th Century Old Masters Portrait Prints
MaterialsWoodcut
- La Messe (The Mass), after CaravaggioLocated in Middletown, NYChiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...Category
Mid-18th Century Old Masters Figurative Prints
MaterialsEngraving, Laid Paper, Woodcut
Recently Viewed
View AllMore Ways To Browse
Antique Stage
Antique Theater
Antique Black Board
Antique Japanese Ivory
19th Century Japanese Ivory
Utagawa Kuniyoshi
Japanese Ivory Figure
A Matter Of Life And Death Poster
Albert Turner
Ancestor Silk Paintings
Arc Ciel
B 260
Back To The Future Vintage Poster
Beatles Psychedelic
Bird Of Prey Sculpture
Casino De Paris Poster
Charcoal Black Carved
Christian Poems