Items Similar to BATHOS / Tail PIece
Want more images or videos?
Request additional images or videos from the seller
1 of 10
William HogarthBATHOS / Tail PIece1764
1764
About the Item
WILLIAM HOGRATH (1767- 1764)
THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I)
Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto.
This Hogarth’s last print is fascinating as it is prophacy about death.
Various institutions have interesting commentaries - to wit:
Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects.
Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).”
Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin.
British Caricature, Cartoon
- Creator:William Hogarth (1697 - 1764, British)
- Creation Year:1764
- Dimensions:Height: 12.875 in (32.71 cm)Width: 13.375 in (33.98 cm)
- Medium:
- Movement & Style:
- Period:1760-1769
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU411312897952
William Hogarth
William Hogarth (1697-1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Hogarth's work was extremely diverse, ranging from serious realistic paintings and portraits to satire and moralistic pieces filled with symbolism. He often communicated his moral message in a series of paintings and engravings, such as: A Rake's Progress, Marriage A-la-Mode and A Harlot's Progress. He was by far the most significant English artist of his generation and inspired a movement of English caricaturists and satirists, including James Gillray (1756-1815), Thomas Rowlandson (1757-1827), Isaac Cruickshank (1764-1811) and George Cruickshank (1792-1878). His work has been studied intensely for the greater than two and a half centuries since his death with several academic scholars focusing their careers on the analysis of every element of each of his creations.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
267 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Santa Monica, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- The Golden Calf - Nuremberg Chronicle, (528 Years Old)Located in Santa Monica, CANUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...Category
15th Century and Earlier Old Masters Figurative Prints
MaterialsWoodcut
- OBSEQUIO á el MAESTRO (‘A gift for the master’)By Francisco GoyaLocated in Santa Monica, CAFRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...Category
1790s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale MezzotintBy John MartinLocated in Santa Monica, CAJOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...Category
1830s Old Masters Interior Prints
MaterialsMezzotint
- HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA leftBy Giulio BonasoneLocated in Santa Monica, CAGIULIO BONASONE (Italian 1500/10-1574) HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230) Engraving. Letter...Category
16th Century Old Masters Figurative Prints
MaterialsEngraving
- Mr. Garrick in the Character of Richard the 3rd - FINE IMPRESSIONBy William HogarthLocated in Santa Monica, CAWILLIAM HOGRTH (1697 - 1764) MR. GARRICK IN THE CHARACTER OF RICHARD THE 3RD (Shakespear Act 5 Scene 7) (Paulson 1970.165 ii/ii; Paulson 1989.165 ii/ii;, Dobson and Armstrong p. 20...Category
1740s Old Masters Figurative Prints
MaterialsEtching, Engraving
- (PHILOSOPHER READING)By Ferdinand BolLocated in Santa Monica, CACircle of or a follower of Ferdinand Bol - (1616-1680) (PHILOSOPHER READING) ca 1700 Etching on thin laid paper attached to support sheet at the top sh...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
You May Also Like
- Theater Actor in Black Coat on Stage- Woodcut by Utagawa Kunisada - 19th CenturyBy Utagawa Kunisada IIILocated in Roma, ITThis figuration of a theater actor in a black coat on stage is the work of the Japanese artist Utagawa Kuniyoshi /1798-1861). The brilliance of the colors, the graphic precision as ...Category
19th Century Old Masters Figurative Prints
MaterialsWoodcut
- Rônin in the Night, Armed with a Club - Woodcut by Utagawa Kunisada-19th CenturyBy Utagawa Kunisada IIILocated in Roma, ITThis magnificent woodcut print signed Toyokuni III represents a Ronin in the night, armed with a club, and was realized by Utagawa Kunisada (1786-1865) in the mid 19th Century. The ...Category
19th Century Old Masters Figurative Prints
MaterialsWoodcut
- Man in Blue Coat Carrying Goods - Woodcut by Utagawa Kunisada - 19th CenturyBy Utagawa Kunisada IIILocated in Roma, ITThis portrait of a man in Blue Coat carrying goods in the work of the japanese artist Utagawa Kunisada (1786-1865), otherwise known as Toyokuni III. Whether through the use of color...Category
19th Century Old Masters Figurative Prints
MaterialsWoodcut
- Saints Stephen, Sixtus, and LaurentiusBy Albrecht DürerLocated in Middletown, NYcirca 1504 Woodcut on cream laid paper, 8 1/2 x 5 7/8 inches (215 x 148 mm), thread margins. Significant expert repairs to lower right sheet edge, and center right sheet edge. Mino...Category
16th Century Old Masters Figurative Prints
MaterialsLaid Paper, Woodcut
- Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True RichesLocated in Fairlawn, OHFather Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity Woodcut, 1491 Unsigned, as issued Published by Anton Koberger Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center. Condition: Very good for a 15h century woodcut, with the usual slight age stains Sheet size: 11 1/2 x 8 1/4 inches Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century. Michel Wolgemut Biography Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death. In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him. Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...Category
15th Century and Earlier Old Masters Figurative Prints
MaterialsWoodcut
- The Holy Family with Two Musical Angels"By Albrecht DürerLocated in San Francisco, CAOriginal woodcut printed in black ink on laid paper bearing the “Large Bear” watermark (Meder 89, typically seen in the earliest impressions of this woodcut). Dated in the block ...Category
Old Masters Figurative Prints
MaterialsWoodcut
