Interior Prints
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833
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217
1,134
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774
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Interior Prints For Sale
Christopher Wool, Untitled - Signed Screenprint, Abstract Art, Contemporary Art
Located in Hamburg, DE
Christopher Wool (born 1955 in Chicago)
Untitled, 2016
Screen print, on 270 g/qm vellum Rives
Dimensions: 80.5 × 70 cm
Edition size: unknown
Signature: Hand-signed and dated “WOOL 20...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Screen
Thomas Ruff, Negatives II - Signed Print, Contemporary Photography
By Thomas Ruff
Located in Hamburg, DE
Thomas Ruff (German, b. 1958)
Negatives II, 2016
Medium: Digital pigment print, on rag paper
Dimensions: 70 x 100 cm (25.5 x 39.5 in)
Edition of 40: Hand-signed and numbered on verso...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Digital Pigment
Katharina Grosse, Der Stuhl - Contemporary Art, Abstract Art, Signed Print
Located in Hamburg, DE
Katharina Grosse (German, b. 1961)
Der Stuhl, 2020
Medium: Ditone print on paper
Dimensions: 29.7 × 21 cm (11 7/10 × 8 3/10 in)
Edition of 100: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Digital
North View of St. Paul's Cathedral, London English School, 19th century
Located in Middletown, NY
London: Tallis & Co., 1851
Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...
Category
Mid-19th Century English School Interior Prints
Materials
Lithograph, Handmade Paper
JR // Giants, Alain // Lithograph, Street Art, Urban Art, Signed Print
Located in Hamburg, DE
JR (French, b. 1983)
Giants, Alain, April 13, 08.22 P.M., Havana, Cuba, 2019
Medium : 17 colors lithograph on wove paper
Dimensions : 100 x 70 cm (39.5 x 27.5 in)
Edition of 180: Han...
Category
21st Century and Contemporary Street Art Interior Prints
Materials
Lithograph
Peter Halley, Cartoon Explosion - Abstract Art, Minimalism, Signed Print
By Peter Halley
Located in Hamburg, DE
PETER HALLEY (American, b. 1953)
Cartoon Explosion, 1999
Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued)
Dimensions: 49.21 x 12.60 in (125....
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Digital Pigment
Laure Prouvost, Nice To Not Be A Screen - Signed Print, Contemporary Art
Located in Hamburg, DE
Laure Prouvost (French, b. 1978)
Nice to not be a screen, 2020
Medium: Digital pigment print, on Hahnemühle Photo Rag
Dimensions: 54 x 40 cm (21.25 x 15.75 in)
Edition of 20: Hand-si...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Digital Pigment
Elizabeth Peyton, The Kiss - Etching, Contemporary Art, Signed Print
Located in Hamburg, DE
Elizabeth Peyton (American, b. 1965)
The Kiss, 2018
Medium: Etching on wove paper
Dimensions: 33 x 37 cm
Edition of 30: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Linocut
Erró, Are You Ready - Pigment Print, Pop Art, Signed Print, Narrative Figuration
By Erró
Located in Hamburg, DE
Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932)
Are you ready, 2016
Medium: Pigment print
Dimensions: 115 x 111 cm
Edition of 60 + 35 EA: Hand-signed and numbered
Condition: Exc...
Category
21st Century and Contemporary Pop Art Interior Prints
Materials
Pigment
Sigmar Polke, Bargeld Lacht: Pop Art, Capitalist Realism, Signed Print
By Sigmar Polke
Located in Hamburg, DE
Sigmar Polke (German, 1941 – 2010)
Bargeld Lacht, 2002
Medium: Colour offset and screenprint on cardboard
Dimensions: 70 × 50 cm
Edition of 70 + X: Hand-signed, numbered and dated
Co...
Category
21st Century and Contemporary Pop Art Interior Prints
Materials
Offset, Screen
"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan
By Lika Brutyan
Located in Culver City, CA
"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan
Archival pigment print on Hahnemühle Photo Rag Baryta.
Not framed. Ships in a tube.
Lika Brutyan is America...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Rag Paper, Archival Pigment
Tick It, Tock It, Turn It True, from: The Blue Guitar
Located in London, GB
This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin.
It is also hand numbered in pencil from the edition of 200, at t...
Category
1970s Interior Prints
Materials
Etching, Aquatint
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Interior Prints
Materials
Aquatint, Engraving, Handmade Paper
Daniel Richter, Untitled (Paris Sexy 65) - Signed Screenprint, Collage
Located in Hamburg, DE
Daniel Richter (German, born 1962)
Untitled (from 11 Screenprints), 2019
Medium: Screenprint on paper
Dimensions: 59.4 x 42 cm
Edition of 11: Hand-signed and numbered
Condition: Exce...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Screen
Jonas Wood - Large Shelf Still Life
By Jonas Wood
Located in Central, HK
Jonas Wood
Large Shelf Still Life, 2017
Offset lithograph in colors on smooth wove paper
23 × 23 in 58.42 × 58.42 cm
Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...
Category
2010s Interior Prints
Materials
Paper
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
Damien Hirst 'H13-1 Deadman’s Cove -2023' Signed & numbered
By Damien Hirst
Located in Pembroke Pines, FL
Artsist: Damien Hirst
Title: 'H13-1 Deadman's Cove"
Year: 2023
Medium: Laminated Giclee print on aluminium composite panel
Size: 47.2 x 35.4 Inches
Edition: 131/346
Numbered and hand...
Category
2010s Abstract Expressionist Interior Prints
Materials
Giclée
Frank Stella, Sidi Ifni (from Hommage à Picasso) - Signed Print, Minimalism
By Frank Stella
Located in Hamburg, DE
Frank Stella (American, b. 1936)
Sidi Ifni (from Hommage à Picasso), 1973
Medium: Lithograph in colors, on wove paper
Dimensions: 22 × 30 in (55.8 × 76.2 cm)
Edition of 90 + XXX + 15...
Category
20th Century Abstract Interior Prints
Materials
Lithograph
Antique American Modernist Portrait Signed Limited Edition Serigraph Interlude
By Will Barnet
Located in Buffalo, NY
Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.
Category
1980s Modern Interior Prints
Materials
Screen
The Clan Colquhoun (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan Colquhoun (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Original Freedom from Want 1943 vintage poster. Thanksgiving
Located in Spokane, WA
Original vintage poster: FREEDOM FROM WANT, Ours to fight for ...
Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...
Category
1940s American Realist Interior Prints
Materials
Offset
Untitled (Fisherman), Etching and Aquatint, British Artist, Contemporary Art
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh)
Untitled (Fisherman), 2005
Medium: Etching and aquatint in colors, on vellum
Dimensions: 39.5 x 30 cm (57 x 45.5 cm)
Edition of 35: Hand signed, d...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching, Aquatint
Once upon a time in London, Morning, Woodcut print, Vincent Van Gogh, Sunflowers
Located in Deddington, GB
A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh in his bedroom with his dog. Sunflowers appear in the background, brightening up a blue and purple room.
Additional information:
Mychael Barratt
Once upon a time in London, Morning
Woodcut on paper
Signed and titled in pencil
Numbered from the edition of 100
Image size
Height: 27.5 cm
Width: 27 cm
Complete size of sheet
Height: 39.6 cm
Width: 37.5 cm
Depth: 0.2 cm
ARTIST PROFILE: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...
Category
2010s Contemporary Interior Prints
Materials
Paper, Woodcut
La Chambre En Luminance, Corneille
Located in Fairfield, CT
Artist: Guillaume Corneille (1923-2010)
Title: La Chambre En Luminance
Year: 1979
Medium: Lithograph on wove paper
Edition: 77/250, plus proofs
Size: 19.50 x 25.50 inches
Condition: ...
Category
1970s Pop Art Interior Prints
Materials
Lithograph
Wade Guyton, Untitled (MAY, Thursday, August 3, 2017 Last Update), Signed Prints
By Wade Guyton
Located in Hamburg, DE
Wade Guyton (American, b. 1972)
Untitled (MAY, Thursday, August 3, 2017 Last Update), 2017
Medium: 4 sheets of Epson DURABrite inkjet on letterhead (on office paper)
Dimensions: each...
Category
21st Century and Contemporary Interior Prints
Materials
Inkjet
André Butzer, Pastrami - Signed Print, Etching, Abstract, Expressionism
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Pastrami), 2019/2022
Medium: Etching in colors on wove paper
Dimensions: 43 x 33 cm
Edition of 15: Hand-signed, numbered and dated in pencil
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching
Georg Baselitz, Winterschlaf I: Etching and Aquatint, Abstract Art, Signed Print
Located in Hamburg, DE
Georg Baselitz (German, born 1938)
Winterschlaf I, 2014
Medium: Line etching and sugar lift aquatint on wove paper
Dimensions: 69 x 82 cm
Edition of 10: Hand-signed, numbered and dat...
Category
21st Century and Contemporary Neo-Expressionist Interior Prints
Materials
Etching, Aquatint
The Jacobite Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Jacobite Tartan
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Jaipur Lake Pavilion
Located in Greenwich, CT
Jaipur Lake Pavilion is a serigraph on paper measuring 24 x 27 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XXX/CC ...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
Rupprecht Geiger, Bluish Red and Blue-Black - Abstract Art, Signed Print
Located in Hamburg, DE
Rupprecht Geiger (German, 1908 – 2009)
Bluish Red and Blue-Black, 1961
Medium: Screenprint on cardboard
Dimensions: 16.7 x 20.6 cm
Framed dimensions: 31.4 x 27.5 x 2.9 cm
Edition of ...
Category
20th Century Abstract Interior Prints
Materials
Screen
Bridgetown (Caribbean Daydreams)
Located in Greenwich, CT
Bridgetown from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, ...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
The Oval Office limited edition political button for Clinton-Gore
Located in New York, NY
ROY LICHTENSTEIN
Clinton Gore (Limited Edition Campaign Button), 1992
Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein)
1 3/...
Category
1990s Pop Art Interior Prints
Materials
Metal
David Shrigley, The Biggest Hottest Chilli In The World, 2023
Located in Manchester, GB
David Shrigley
The Biggest Hottest Chilli In The World, 2023
12 colour screenprint with varnish overlay
29 9/10 × 22 in (76 × 56 cm)
Edition of 125
David Shrigley’s drawings, paint...
Category
2010s Contemporary Interior Prints
Materials
Screen
THE BREAK OF DAY Signed Woodcut, Black Woman Reading Letter, Lavender Dress
By Otto Neals
Located in Union City, NJ
THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...
Category
Early 2000s Contemporary Interior Prints
Materials
Woodcut
"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT
Located in Culver City, CA
"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT
Print. Signed and numbered by the artist.
ABOUT THE ARTIST:
By compiling concepts from multiple philosophies, DOT’s Art...
Category
21st Century and Contemporary Abstract Geometric Interior Prints
Materials
Canvas, Screen
Damien Hirst, Earth (from The Elements): Signed Print, Abstract Art, Butterflies
By Damien Hirst
Located in Hamburg, DE
Damien Hirst (British, born 1965)
Earth (from The Elements, H6-6), 2020
Medium: Diasec-mounted giclée print on aluminium composite panel
Dimensions: 100 x 100 cm (39 3/8 x 39 3/8 in)...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Plexiglass, Giclée
"Moms Pitcher" - Giclee Print on Canvas
Located in Soquel, CA
"Moms Pitcher" - Giclee Print on Canvas
Giclee still life titled "Moms Pitcher," depicting a blue and white pitcher next to a bundle of freshly cut sunflowers by Coraly Hanson (American, b. 1950). A white and blue table cloth lays under the freshly cut flowers, with red handled snips next to them. A deep purple encapsulates the background.
Signed "Coraly '05 1/6" lower right.
Presented in a giltwood frame.
Frame: 16"H x 18"W
Image: 7.5"H x 9.5"W
Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...
Category
Early 2000s American Impressionist Interior Prints
Materials
Giclée, Panel, Canvas
Greenwich Window I
Located in Bournemouth, Dorset
Joanna Irvin
Greenwich Window 1
Etching A/P
Image: 15 x 10
Mount 27.0 x 22.0 cm
Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...
Category
2010s Interior Prints
Materials
Etching, Aquatint
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
Rupprecht Geiger, Blue-Black and Bluish Red - Abstract Art, Signed Print
Located in Hamburg, DE
Rupprecht Geiger (German, 1908 – 2009)
Blue-Black and Bluish Red, 1961
Medium: Screenprint on cardboard
Dimensions: 16.7 x 20.6 cm
Framed dimensions: 31.4 x 27.5 x 2.9 cm
Edition of ...
Category
20th Century Abstract Interior Prints
Materials
Screen
The Clan of Macalister (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Macalister (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of desc...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Untitled (Leporello), Abstract Art, Minimalism, Conceptual Art
By Daniel Buren
Located in Hamburg, DE
Daniel Buren (French, born 1938)
Untitled (Leporello), 2009
Medium: 10-part leporello, digital pigment print on 188 g Hahnemühle Photo Rag paper
Dimensions: 250 x 32 cm (98½ x 12½ in...
Category
21st Century and Contemporary Minimalist Interior Prints
Materials
Digital Pigment
André Butzer, Dr. Pfeffer - Signed Print, Etching, Abstract, Expressionism
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Dr. Pfeffer), 2019/2022
Medium: Etching in colors on wove paper
Dimensions: 43 x 33 cm
Edition of 15: Hand-signed, numbered and dated in penc...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching
Epi, Dial M For Moron (Orange), 2022
Located in Manchester, GB
Epi, Dial M For Moron (Orange), 2022
48 x 72 cm
Printed on German etching paper with hand torn edge
Limited edition of 75
Hand-signed and numbered by the ar...
Category
2010s Contemporary Interior Prints
Materials
Lithograph
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
Epi, Olé, 2023
Located in Manchester, GB
Epi, Olé, 2023
Screen print on 190 gsm paper
Hand-signed by the artist
60.96 x 91.44 cm 24 x 36 in
Shepard Fairey’s famous ‘Obey’ paste-up, vandalised in the fine surrealist t...
Category
2010s Contemporary Interior Prints
Materials
Lithograph
Ploughman's Cottage, Tydd St. Giles, Cambridgeshire, 1993 - Interior Color Photo
Located in Cambridge, GB
Ploughman's Cottage, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings.
Richard Heeps is well known for documenting the unique Fenland landscape near ...
Category
1990s Contemporary Interior Prints
Materials
C Print, Photographic Paper, Color, Silver Gelatin
Chicago Scene Modernist Architectural Lithograph, Nevada Artist
Located in Surfside, FL
Jim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...
Category
1980s American Modern Interior Prints
Materials
Lithograph
Interior abstract 1973 lithograph by Duncan Grant
By Duncan Grant
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want.
Duncan Grant (1885 - 1978)
Interior (1973)
Lithograph
36 x 30 cm (paper size 77 x 57 cm)
Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam...
Category
1970s Abstract Interior Prints
Materials
Lithograph
Ordinary Places Installation - English vintage interior color photography
Located in Cambridge, GB
Ordinary Places Sixteen Piece Installation, British vintage interior photography by Richard Heeps.
Richard Heeps 'Ordinary Places' Series...
Category
1980s Contemporary Interior Prints
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Wade Guyton, Red Fire for SMC, Signed Print, Contemporary Art, Abstract Art
By Wade Guyton
Located in Hamburg, DE
Wade Guyton (American, b. 1972)
Red Fire for SMC, 2018
Medium: Epson Ultrachrome HDX print on coated fine art paper
Dimensions: 19 x 15 in (48 x 38 cm)
Edition of 100 + 10 AP: Hand s...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Inkjet
The Clan of MacDougal, Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of MacDougal
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive te...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Equal, Hand signed Richard Serra poster, published by David Zwirner Gallery
Located in New York, NY
Richard Serra, Equal, 2015 (Hand Signed)
Offset lithograph poster (hand signed by Richard Serra)
Boldly signed in black marker on the front
Published by David Zwirner; Designed by McCall Associates
24 × 36 inches
Unframed
Acquired from David Zwirner Gallery
Very good condition other than gentle handling near the edges
Richard Serra Biography:
Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006.
Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004.
In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra.
Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022.
Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist.
Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965).
In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...
Category
2010s Minimalist Interior Prints
Materials
Lithograph, Offset, Permanent Marker
George Lazenby in "James Bond 007 - On Her Majesty’s Secret Service", UK 1969
By Larry Ellis
Located in Cologne, DE
Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973.
Actors: Roger Moore and Jane Saymour, George Lazenby
Keywords: James Bond, 007, action, Thriller, Great Britain, ...
Category
1960s Modern Interior Prints
Materials
Color
Epi, Dial M For Moron (Blue), 2022
Located in Manchester, GB
Epi, Dial M For Moron (Blue), 2022
48 x 72 cm
Printed on German etching paper with hand torn edge
Limited edition of 75
Hand-signed and numbered by the a...
Category
2010s Contemporary Interior Prints
Materials
Lithograph
The Clan of Fraser (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Fraser (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension.
Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category
Early 20th Century American Modern Interior Prints
Materials
Etching, Drypoint
Epi, Dial M For Moron (Yellow)
Located in Manchester, GB
Epi, Dial M For Moron (Yellow), 2022
48 x 72 cm
Printed on German etching paper with hand torn edge
Limited edition of 75
Hand-signed and numbered by the ar...
Category
2010s Contemporary Interior Prints
Materials
Lithograph
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