Interior Prints

JR (French, born 1983) Los Surcos de la Ciudad, Marino Saura Oton, Cartagena, Espagne, 2021 Medium: Lithograph on wove paper Dimensions: 48 x 36 cm (18.9 x 14.2 in) Edition of 250: H...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Degas, A Portfolio Of 10 Reproductions, Ten...

Allan D'Arcangelo (American, 1930-1998) Untitled, 1969 Medium: Screenprint on paper Dimensions: 35.6 x 29.9 cm Outside the edition of 125: Not signed, not numbered

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Degas, A Portfolio Of 10 Reproductions, Ten...

Shepard Fairey Make art not war, 2023/24 Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in) Excellent condition

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Uses and Customs - Burial Chamber is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Hand signed and numbered by the artist. From Southern California Suite. Image size 20 x 22.5 in. Frame size approx 34 x 37 in. Artwork is in excellent condition. Certificate of Authe...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

David Hockney, Mount Fuji and Flowers, 2016 Offset lithograph 63.5 x 86.5 cm Original poster produced by the MET featuring Hockney’s 1972 Mount Fuji an...

Donald Baechler Orange Rose 2015 Silkscreen 101.6 × 78.1 cm (40 × 30.7 in) Signed and numbered Edition of 35 In mint condition PLEASE NOTE: Images of edition number are example refe...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From: Vedute di Roma, Plate 8 An early Roman printing, published by Bouchard e Gravier Watermark: Fleur de Lys in a double circle Signed in the plate Condition: Small margins as are common with Bouchard published impressions. Centerfold (as usual) Rich impression with good contrasts Plate/Image size: 15 7/8 x 24 1/8 inches Sheet size: 17 3/8 x 24 3/4 inches Reference: Focillon 723 Wilton-Ely 138 Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image. The Papal Basilica of St. Paul Outside the Walls...

Uses and Customs - Interior of the Gallery De-Cristoforis is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the univ...

Keith Haring, Untitled, 1985 (abstract) (Framed) 42 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactu...

Uses and Customs - Sacristy of the Cathedral in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe...

David Hockney, The Other Side, 1993 Offset lithograph on paper 63.5 x 101 cm (25 x 39.76 in) This beautiful lithograph featuring David Hockney's 1993 painting "The Other Side" was...

This is an original print using archival inks and archival paper. The printer's plate is one of a kind and is made from Tetrapak which is the inside of a carton. For more information...

Keith Haring, Untitled, 1982 (Red dogs with pyramid) , (Framed) 42 x 42 cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood p...

"This abandoned manor must have been occupied by a creative and curious mind, as it contained 3 pianos, all sorts of recording equipment and old radios, sculptures, paintings and int...

This is an original print using archival inks and archival paper. The printer's plate is one of a kind and is made from Tetrapak which is the inside of a carton. For more informat...

UNTITLED (INV# NP2230) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2232) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

Keith Haring, Untitled (Baby) (Framed) Matt 250gsm conservation paper. A high quality paper made in Germany from acid and chlorine free wood pulp. The paper is manufactured on a Fo...

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2231) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

Keith Haring, Untitled, 1982 (mermaid with dolphin) (Framed) 82 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pul...

Keith Haring, Untitled, 1982 (mermaid with dolphin) (Framed) 82 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pul...

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

MORNING is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. MORNING by the African Am...

Sir Frank Bowling OBE, RA (b. 1934, in British Guiana) Benjamin Run, 2020 Medium: Lithograph on paper Dimensions: 76 x 49.5 cm Edition of 40: Signed and numbered by hand Condition: Mint

Vintage poster for the exhibition "Paris-Moscou 1900-1930" at Centre Pompidou from 31 May - 5 November 1979 in Paris. Designed by Roman Cieslewicz (French/Polish, 1930 - 1996).

Peter Doig (born 1959 in Edinburgh) Two Students, 2008 Medium: Giclée Print on wove paper Dimensions: 73 x 57 cm Edition of 500: Hand-signed and numbered in pencil Condition: Very good

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Günther Förg (Füssen 1952 – 2013 Freiburg) Six Rectangles, 1991 Medium: Woodcut in colors on card stock Dimensions: 56 x 80 cm (60 x 84 cm) Unknown edition size: Hand-signed and date...

Peter Pommerer (German, b. 1968) Giraffe with Blue Coloured Eyes, 2000 Medium: Screenprint on wove paper Dimensions: 26 x 21 cm Edition of 100: Hand-signed and numbered in pencil Con...

Original screenprint poster for Günter Fruhtrunk's exhibition at Galerie Denise René Hans Mayer in 1970 in Krefeld, Germany.

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

David Shrigley Light, 2017 Medium: Linocut on wove paper Dimensions: 75 x 56 cm Edition of 100: Hand-signed and numbered Condition: Mint

Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....

Guy Gee, Maldives (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

Nat Finkelstein, Andy Warhol, 1966/2020 Portrait of Andy Warhol used on the cover of Finkelstein's 'The Factory Years' Semi Gloss 250gsm conservation digital paper. This paper is e...

Artist: Kenny Scharf Title: Sajippe Krakka Joujesh Year: 1998 Medium: Screenprint Edition: XXX /150 Image Size: 37 x 44 inches Size: 39 x 46 inches (93.98 x 111.76 cm) Publisher: Bru...

Santa Barbara is a serigraph on paper measuring 26 x 29 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XCIX/CL from t...

Set of three lithographs enhanced with gouache by Maurice Dufrène. Three original plans of "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These three plans ...

Beauties Mirrored in the Forms of Flowers - Utagawa Kuniyoshi Japanese Woodblock A Japanese beauty dressed and posed resembling flowers by Utagawa Kumiyoshi (Japan, 1797 - 1861 ). A...

Hand signed & numbered by the artist. Sheet size: 23 x 18.5 inches. Image size: 17.5 x 14 inches. Edition of 300. Artwork is in excellent condition. Certificate of authenticity in...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Work : Original Photogravure / Etching, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxh...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Vase de Fleurs". The original painting was completed in 1958. In the 1970's after Picasso's ...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...