Interior Prints
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Interior Prints For Sale
Jan Uytenbogaert, The Goldweigher
Located in Boston, MA
Bartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.
Category
17th Century Old Masters Interior Prints
Materials
Drypoint, Etching
Corridor with Chequered Floor - Etching, Interior photography, Window
Located in AIX-EN-PROVENCE, FR
Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature.
Work Title : "Corridor with Chequered Floor"
Artist : Suzanne Moxhay...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Archival Paper, Etching, Photogravure
Untitled
Located in Tokyo, 13
LOT:20230216S01
Signed, dated 2017 and numbered by the artist
Edition 58 of 66
Provenance: GALLERY TARGET, Tokyo
Category
2010s Interior Prints
Materials
Woodcut
Pompeian Garden by Betty Woodman (INV# NP3632)
Located in Morton Grove, IL
Pompeian Garden (INV# NP3632)
Betty Woodman
color woodcut
29 x 34.75”
1992
# P.P. 2/2, outside the edition of 15
signed
Category
1990s Contemporary Interior Prints
Materials
Woodcut
Red Flowers & Green Leaves, Separate -- Print, Homemade, Still-life by Hockney
Located in London, GB
Red Flowers & Green Leaves, Separate, May 1988
David Hockney
Homemade print in colours executed on an office colour copy machine on two sheets of Arches ...
Category
1980s Contemporary Interior Prints
Materials
Color
In the Studio (from My Normandy series)
Located in New York, NY
2019
Inkjet print in colors on wove paper
34 x 43 in. (86.4 x 109.2 cm)
Edition of 35
Signed, dated, and numbered in pencil, lower margin
Framed, excellent condition
Category
2010s Pop Art Interior Prints
Materials
Inkjet, Paper
Rock SA V, Ed. of 5_Max Steven Grossman_Bookscape/Interior Photography/Music
Located in 326 N Coast Hwy. | Laguna Beach, CA
MAX STEVEN GROSSMAN
"Rock SA V"
Trans Mounted Metallic Print
91 x 48 in. Ed of 5
Please note, there is a 3 week printing lead time**
Exploring the changing accessibility and value ...
Category
2010s Contemporary Interior Prints
Materials
Metal
Hans Schleger 'Zero' London Transport Coach Stop Request Original Poster
Located in London, GB
To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want.
Hans Schleger 'Zero' (1898-1976)
London Transport Coach Stop Request Poster
Screenprint poster c. 1970
16x18 cm
Printed for London Transport
These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.).
Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel.
In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British...
Category
1970s Interior Prints
Materials
Lithograph
Venaria Reale II - Torino (from Perspectives series)
Located in New York, NY
"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
C Print
Fauvist : Dinner in Orange - Lithograph # Mourlot
Located in Paris, FR
Pierre BONNARD
Fauvist : Dinner in Orange, c. 1950
Lithograph after a painting of the artist (Mourlot workshop)
Printed signature in the plate
On Rives vellum 62 x 67.5 cm (c. 25 x ...
Category
Mid-20th Century Fauvist Interior Prints
Materials
Lithograph
Number Suite - NINE
Located in Kansas City, MO
Robert Indiana
Title: Nine
Medium: Original Screen Print on paper
Year: 1968
Edition: From the limited edition of 2500
Publisher: Edition Domberger Stuttgart
Suite: "Numbers"
Dimensi...
Category
1960s Pop Art Interior Prints
Materials
Screen
Cinetic Composition - Screen Print Hand Signed and Numbered - 100 copies
Located in Paris, FR
Victor VASARELY
Cinetic Composition
Screen print
Handsigned in pen by the artist
Numbered in pencil on /100 copies
On vellum size 49 x 69 cm (c. 19 x 27 in)
Very good condition (onl...
Category
1980s Op Art Interior Prints
Materials
Screen
Sylla 6 - Geometric Composition - Screen Print Hand Signed and Numbered
Located in Paris, FR
Victor VASARELY
Sylla-6
Screen print
Handsigned in pen by the artist
Numbered in pencil on /100 copies
On vellum size 49 x 69 cm (c. 19 x 27 in)
Very good condition
REFERENCE : Ca...
Category
1980s Op Art Interior Prints
Materials
Screen
Glazed Earthenware
Located in London, GB
Signed in pencil, one of 13 artist's proofs aside from the edition of 70.
Printed on wove paper at Kelpra Studio.
Published by Waddington Graphics, London.
(Dempsey 44).
Category
1970s Pop Art Interior Prints
Materials
Screen
Fashion SQ 3, Ed. of 5_2021_Max Steven Grossman_Bookscape/Interior Photography
Located in 326 N Coast Hwy. | Laguna Beach, CA
MAX STEVEN GROSSMAN
Fashion SQ 3
Trans Mounted Metallic Print
50 x 55 in. Ed of 5
Please note, there is a 3 week printing lead time**
Exploring the changing accessibility and value...
Category
2010s Contemporary Interior Prints
Materials
Mixed Media
"Contrejour in the French Style" etching by British artist David Hockney
Located in London, GB
DAVID HOCKNEY (B. 1937)
Contrejour in the French Style
etching and aquatint in colours, 1974, on wove paper, signed and dated in pencil, numbered 26/75 (there were also 18 artist's p...
Category
Late 20th Century Interior Prints
Materials
Etching, Aquatint
THE LAMP Signed Lithograph Black Mother and Child Reading Brown vs. Board of Ed.
Located in Union City, NJ
THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...
Category
1980s Contemporary Interior Prints
Materials
Lithograph
Untitled, Woodcut, Abstract Art, Contemporary Art, Minimalism, 21st Century
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013)
Untitled, 1990
Medium: Woodcut in colors on wove paper
Dimensions: 103 x 80 cm
Edition of 20: Hand signed, numbered and dated in pencil
Condition: Ve...
Category
20th Century Abstract Interior Prints
Materials
Woodcut
Biblioteca Nazionale di Napoli, Italy
Located in New York, NY
"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
C Print
Fenway
By Roger Henry
Located in Santa Monica, CA
Limited edition giclée print on stretched canvas.
Category
Early 2000s Interior Prints
Materials
Giclée
Judaica Jewish Shtetl Etching Yeshiva Talmudic Study Vintage Chassidic Art Print
By Paul Jeffay
Located in Surfside, FL
"Qui a raison?"
Chassidic boy, Yeshiva student with open book. Judaica, Jewish scenes from a ghetto.
Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Known for his charming French street scenes as well as his judaica work. This is signed in the plate and dated 1931 in the print. This is done in a style similar to the works of the early Bezalel School artists Hermann Struck and Jakob Steinhardt.
This lithograph, by artist Paul Jeffay depicts a Judaic Shtetl interior scene with great charm and sensitivity.
Saul Yaffie was born in Blythswood, Glasgow on 29 April 1898. His mother was Kate Yaffie (née Karkonoski), and his father, Bernard Yaffie, was a master tailor. Like many Russian Jews, Kate and Bernard Yaffie fled persecution in Russia during a wave of anti-Jewish pogroms triggered by the assassination of Tsar Alexander II in 1881. Saul's father was naturalised as a British citizen by the time that Saul himself was three; a Bernard Yaffie is recorded as living at Abbotsford Place in the old Gorbals, where the young Saul spent the early years of his childhood. The Yaffies were not unique in their situation: the Gorbals was the centre of Scotland's Jewish community and home to a large proportion of Glasgow's immigrants throughout the early 20th century. Over time, there was a movement to some of the more affluent communities in Glasgow, such as Pollokshields and Garnethill, as many Jewish families gradually improved their social and economic situation. Like these, the Yaffies also experienced a time of good fortune, moving to a more agreeable address on Sinclair Drive, Cathcart as Bernard's tailoring business prospered.
Saul attended day classes in drawing and painting, modelling, and life drawing at The Glasgow School of Art from 1912 to 1919. During the First World War, he was required to interrupt his studies to serve in the King's Own Scottish Borderers in 1916/17. Although subject to military conscription, Yaffie reached the rank of corporal during his service. Prior to his conscription Yaffie engaged in munitions work, something that was recorded in the GSA's student registers.
The post-war economic depression that affected the country during the 1920s, also affected the Yaffie family directly: Bernard Yaffie's business suffered greatly, and the family eventually emigrated to Canada. Saul did not emigrate with his family, choosing instead to stay in Europe, and relocate to jazz age Paris where he continued his artistic practice. Now married, Saul sought to escape persecution in Europe by returning to the UK before the Second World War with his wife, Estusia. The two settled in Manchester, but returned to France after the war. In his memoires ‘Bronze in My Blood’, German-born sculptor Benno Schotz describes a Saul ‘Yaffe’, one of only three other Jewish students who attended The Glasgow School of Art at the time. (Schotz himself was exempt from joining the forces because he was ‘not yet a British subject’, and was engaged in war work in the drawing office of John Brown’s shipyards). On the outbreak of the war, Schotz writes, Yaffie won a poster competition to be displayed in Glasgow tramcars at the beginning of the 1914-18 war – his winning design depicted a woman with a child in her arms, fleeing from a fire behind her. While on leave from service, the young Saul told Schotz he had briefly been stationed in the same unit as Jewish American sculptor Jacob Epstein. This was most likely the 38th Battalion of the Royal Fusiliers, also known as ‘the Jewish Legion’, one of five Jewish battalions raised during WW1. ‘He told me how incongruous it was’, remembers Schotz, ‘to See Epstein scrubbing the floor of their hut, with a large diamond ring on his finger’. His work is included in the collection of the Ben Uri Museum in London along with Lucian Freud, David Bomberg, Mark Gertler, Josef Herman, Jankel Adler, Feliks Topolski...
Category
20th Century Expressionist Interior Prints
Materials
Etching
Judaica Lithograph With Hand Watercolor Shtetl Sukkot Holiday Scene Etching
Located in Surfside, FL
Beautiful poignant lyrical piece. I am not sure if it is a lithograph or an etching with hand painted watercolor. it depicts a beautiful shtetl interior scene.
Chaim Goldberg -- bo...
Category
20th Century Post-Impressionist Interior Prints
Materials
Watercolor, Etching, Lithograph
Judaica Jewish Shtetl Etching Hasidic Rabbi at Study Vintage Chassidic Print
By Paul Jeffay
Located in Surfside, FL
Older Chassidic rabbi learning with open book, Judaica, Jewish scenes from a ghetto.
Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Known for his charming French street scenes as well as his judaica work. This is signed in the plate and dated 1931 in the print. This is done in a style similar to the works of the early Bezalel School artists Hermann Struck and Jakob Steinhardt.
This lithograph, by artist Paul Jeffay depicts a Judaic Shtetl interior scene with great charm and sensitivity.
Saul Yaffie was born in Blythswood, Glasgow on 29 April 1898. His mother was Kate Yaffie (née Karkonoski), and his father, Bernard Yaffie, was a master tailor. Like many Russian Jews, Kate and Bernard Yaffie fled persecution in Russia during a wave of anti-Jewish pogroms triggered by the assassination of Tsar Alexander II in 1881. Saul's father was naturalised as a British citizen by the time that Saul himself was three; a Bernard Yaffie is recorded as living at Abbotsford Place in the old Gorbals, where the young Saul spent the early years of his childhood. The Yaffies were not unique in their situation: the Gorbals was the centre of Scotland's Jewish community and home to a large proportion of Glasgow's immigrants throughout the early 20th century. Over time, there was a movement to some of the more affluent communities in Glasgow, such as Pollokshields and Garnethill, as many Jewish families gradually improved their social and economic situation. Like these, the Yaffies also experienced a time of good fortune, moving to a more agreeable address on Sinclair Drive, Cathcart as Bernard's tailoring business prospered.
Saul attended day classes in drawing and painting, modelling, and life drawing at The Glasgow School of Art from 1912 to 1919. During the First World War, he was required to interrupt his studies to serve in the King's Own Scottish Borderers in 1916/17. Although subject to military conscription, Yaffie reached the rank of corporal during his service. Prior to his conscription Yaffie engaged in munitions work, something that was recorded in the GSA's student registers.
The post-war economic depression that affected the country during the 1920s, also affected the Yaffie family directly: Bernard Yaffie's business suffered greatly, and the family eventually emigrated to Canada. Saul did not emigrate with his family, choosing instead to stay in Europe, and relocate to jazz age Paris where he continued his artistic practice. Now married, Saul sought to escape persecution in Europe by returning to the UK before the Second World War with his wife, Estusia. The two settled in Manchester, but returned to France after the war. In his memoires ‘Bronze in My Blood’, German-born sculptor Benno Schotz describes a Saul ‘Yaffe’, one of only three other Jewish students who attended The Glasgow School of Art at the time. (Schotz himself was exempt from joining the forces because he was ‘not yet a British subject’, and was engaged in war work in the drawing office of John Brown’s shipyards). On the outbreak of the war, Schotz writes, Yaffie won a poster competition to be displayed in Glasgow tramcars at the beginning of the 1914-18 war – his winning design depicted a woman with a child in her arms, fleeing from a fire behind her. While on leave from service, the young Saul told Schotz he had briefly been stationed in the same unit as Jewish American sculptor Jacob Epstein. This was most likely the 38th Battalion of the Royal Fusiliers, also known as ‘the Jewish Legion’, one of five Jewish battalions raised during WW1. ‘He told me how incongruous it was’, remembers Schotz, ‘to See Epstein scrubbing the floor of their hut, with a large diamond ring on his finger’. His work is included in the collection of the Ben Uri Museum in London along with Lucian Freud, David Bomberg, Mark Gertler, Josef Herman, Jankel Adler, Feliks Topolski...
Category
20th Century Expressionist Interior Prints
Materials
Paper, Etching
"Nottingham Loom", black and white, photograph, platinum, palladium, industry
Located in Natick, MA
"Nottingham Loom" by Vicki McKenna is a black and white photographic print. As part of her Resilience series the image evocates the spirit of early 20th century industry...
Category
2010s Contemporary Interior Prints
Materials
Black and White, Platinum, Archival Paper
"Warped", black and white, photograph, platinum, palladium, print, industry
Located in Natick, MA
"Warped" by Vicki McKenna is a black and white photographic print. As part of her Resilience series the image evocates the spirit of early 20th century industry...
Category
2010s Contemporary Interior Prints
Materials
Archival Paper, Black and White, Platinum
Uffizi - Scalone Lorenese, Florence
Located in New York, NY
Uffizi - Scalone Lorenese, Florence 2009
The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
C Print
GAME SET CARDS I - plates and mugs set
Located in New York, NY
Set of 4 plates and 3 mugs.
Made by Swid Powell.
Donald Sultan design titled "GAME SET CARDS I"
Plates are 8" diameter
mugs are 12oz and measure 3.25x3...
Category
1980s 85 New Wave Interior Prints
Materials
Porcelain
Landscape Pot with Plant
By Jonas Wood
Located in New York, NY
2017
Screenprint in colors, on 410gsm Somerset tub sized Satin Enhanced White paper
Sheet: 39 2/5 x 29 1/2 inches
Edition of 100
Signed, dated and numbered in pencil
Framed, mint con...
Category
2010s Pop Art Interior Prints
Materials
Screen
Screams of women in labor - For the Sake of A Single Verse by Rainer Maria Rilke
By Ben Shahn
Located in Kansas City, MO
Ben Shahn
From Portfolio "For the Sake of A Single Verse by Rainer Maria Rilke"
Year: 1968
Lithograph on Richard de Bas hand-made paper
Edition: 750
Size: 22.5 x 17.75 inches
Signed in the stone
COA included
Publisher: Atelier Mourlot, LTD, New York
Typography: The Spinal Press
Provenance: Private Collection Kansas City, MO
--------------------
Ben Shahn:
"I had now long ago found in Rilke the passage that came to mean so much to me. He was a writer about the processes of art who was not telling me what to do, what to think, how to paint. No; he was too engrossed in his own discoveries. He was sharing with me the doubts and the hesitations of art, the probings, the slow emergence of forms. His every line of writing was art, and yet such art was inseparable from its life content. No manifesto could ever tell me more clearly than this one paragraph of Rilke's that art is an emanation from a person; that it is shaped and formed out of the shape and form of that person. In being so acutely personal to him it achieves also a rare universality. Rilke is speaking, (is he not?) to the innermost recesses of the consciousness, an area in which we spend so much of our time and expend so much of our feeling, and yet an area that is so remote from communication with our fellow-beings, an area that is, unhappily, increasingly remote from the reaches of art."
-----------
Ben Shahn (September 12, 1898 – March 14, 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content.
Shahn was born in Kaunas, Lithuania, then part of the Russian Empire, to Jewish parents Joshua Hessel and Gittel (Lieberman) Shahn. His father was exiled to Siberia for possible revolutionary activities in 1902, at which point Shahn, his mother, and two younger siblings moved to Vilkomir. In 1906, the family immigrated to the United States where they rejoined Hessel, who had fled Siberia. They settled in the Williamsburg section of Brooklyn, New York, where two more siblings were born. His younger brother drowned at age 17. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists.
Although Shahn attended New York University as a biology student in 1919, he went on to pursue art at City College in 1921 and then at the National Academy of Design. After his marriage to Tillie Goldstein in 1924, the two traveled through North Africa and then to Europe, where he made "the traditional artist pilgrimage." There he studied great European artists such as Henri Matisse, Raoul Dufy, Georges Rouault, Pablo Picasso and Paul Klee. Contemporaries who would make a profound impact on Shahn's work and career include artists Walker Evans, Diego Rivera and Jean Charlot.
Shahn was dissatisfied with the work inspired by his travels, claiming that the pieces were unoriginal. Shahn eventually outgrew his pursuit of European modern art, and redirected his efforts toward a realist style which he used to contribute to social dialogue.
The twenty-three gouache paintings of the trials of Sacco and Vanzetti...
Category
1960s Modern Interior Prints
Materials
Lithograph
Theater Marquee, Early Lithograph by Wayne Thiebaud 1956
Located in Long Island City, NY
Artist: Wayne Thiebaud, American (1920 - )
Title: Theater Marquee
Year: 1956
Medium: Lithograph
Signature: Signed, titled, numbered, and dated in penci...
Category
1950s Modern Interior Prints
Materials
Lithograph
Moonkissed
Located in Tuscany, Pisa
Adeline de Monseignat (b. 1987, Monaco) lives and works in London. She studied Language and Culture at UCL and Fine Art at London School of Art, ...
Category
2010s Surrealist Interior Prints
Materials
Etching, Aquatint
Sun on the Kitchen Floor
Located in Dallas, TX
Category
1940s Interior Prints
Materials
Lithograph
The Carcase
By Cyril Power
Located in New York, NY
Cyril Power (1872-1951) color linoleum cut, The Carcase, circa 1929, signed and titled in pencil, from the edition of only several (Redfern 9). In good condition, with pinholes at lo...
Category
1920s Futurist Interior Prints
Materials
Linocut
Frontispiece for Planches de Salut
Located in London, GB
LOUIS MARCOUSSIS (1883-1941)
(Ludwik Kazimierz Wladyslaw Markus)
1878 or 1883 Łódź, Poland – 1941, Cusset, France
(Polish/French)
Title: Frontispiece for Planches de Salut, ...
Category
1930s Cubist Interior Prints
Materials
Paper
Uffizi - Scalone Lorenese, Florence
Located in New York, NY
Uffizi - Scalone Lorenese, Florence 2009
The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
C Print
Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Interior Prints
Materials
Etching, Aquatint, Rag Paper
Let Them Eat Cake (Marie Antoinette au Petit Trianon)
Located in New York, NY
Rare photolithograph by Colette.
Category
21st Century and Contemporary Interior Prints
Materials
Lithograph
Clearance Sale
Located in New York, NY
Rare photolithograph by Colette.
Category
1970s Interior Prints
Materials
Lithograph
Afternoon Tea (or La Conversation)
Located in San Francisco, CA
A superb impression of Spink’s only state from the edition of 100 published and issued by Ambroise Vollard in L’Album d’estampes originales de la Galerie Vollard (second album), Pari...
Category
Late 19th Century Interior Prints
The Death of the Virgin
Located in San Francisco, CA
A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...
Category
18th Century and Earlier Old Masters Interior Prints
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