Interior Prints
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Interior Prints For Sale
Kara Walker, Theme for the Fons Americanus - Signed Print, Contemporary Art
By Kara Walker
Located in Hamburg, DE
Kara Walker (American, b. 1969)
Theme for the Fons Americanus, 2021
Medium: Archival digital pigment print on paper
Dimensions: 77.5 x 56 cm
Edition of 80: Hand-signed and numbered
C...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Archival Pigment
Landscape with Window and Chair
Located in Fairlawn, OH
Landscape with Window and Chair
Mezzotint on wove paper, 2000
Signed in pencil lower right (see photo)
Edition: 150 (93/150) (see photo)
Special Presentation Print for the Print Club of Albany, 2000
Condition: Mint
Image/Plate size: 4 1/2 x 3 1/2 inches
Sheet size: 7 x 5 1/2 inches
From the Print Club of Albany:
"Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image."
From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium.
Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons.
Works by the artist are in the following public collections:
• Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor*
• Albertina Museum, Vienna, Austria*
• Albright-Knox Art Gallery, Buffalo, NY
• Arkansas State University Permanent Collection, State University, AR
• Art Institute of Chicago, Chicago, IL
• Art Museum of Western Virginia, Roanoke, VA
• Art Students League of New York, New York, NY
• Bates College Museum of Art, Lewiston, ME
• Berkshire Museum, Pittsfield, MA
• Bibliothèque nationale de France, Paris*
• Boston Athenæum, Boston, MA
• Bowdoin College Museum of Art, Brunswick, ME*
• British Museum, London, England*
• Brooklyn Museum of Art, Brooklyn, NY*
• Butler Institute of American Art, Youngstown, OH
• Canton Art Institute, Canton, OH
• Carnegie Museum of Art, Pittsburgh, PA
• Century Association, New York, NY
• Cleveland Museum of Art, Cleveland, OH*
• Columbus Museum of Art, Columbus, OH
• Coos Art Museum, Coos Bay...
Category
Early 2000s Contemporary Interior Prints
Materials
Mezzotint
QUILTING TIME Signed Lithograph, African American Culture, Interior Scene, Quilt
Located in Union City, NJ
QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by the African American master artist Romare Bearden is from Bearden's Mecklenburg series of images depicting recollections from his childhood in rural Mecklenburg County, NC. A colorful, intimate interior scene showing a black woman and young man tending to a multicolor quilt. Bearden's well known visual motif - the quilt, refers back to a time when the African American quilting tradition was employed by enslaved black people who worked coded messages into their handmade quilts to pass on information about the Underground Railroad...
Category
1980s Contemporary Interior Prints
Materials
Lithograph
Lady's Bedroom, Set of 4 Lithographs, 1906
Located in Saint Amans des cots, FR
Set of four lithographs enhanced with gouache by Maurice Dufrene. Four original plans from "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906.
These four plans ar...
Category
Early 1900s Art Nouveau Interior Prints
Materials
Lithograph
Leamington
Located in Greenwich, CT
Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from th...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
Girl in Ballerina Dress (Thonet Chair) Color Lithograph, American Modernist
Located in Surfside, FL
Girl in Ballerina Dress, c. 1970
Color lithograph printed on wove paper, hand signed in pencil and numbered 22/75, with the inkstamp of the publisher, Landfall Press, Chicago (they have published an eclectic list of many important artists including Christo, Judy Chicago, David Levinthal and Jack tworkov to name a few.)
Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs presaging Pop Art. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art. In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party...
Category
1970s American Realist Interior Prints
Materials
Lithograph
Vintage Le Corbusier '69 David Hockney Exhibition Poster Kilim southwest rug
Located in New York, NY
Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...
Category
1960s Realist Interior Prints
Materials
Lithograph
Adam Pendleton, What is the Black Dada - Signed Print, Contemporary Art
Located in Hamburg, DE
Adam Pendleton (American, b. 1984)
What is the Black Dada, 2020
Medium: Transferred pulp on cotton handmade paper, stenciled
Dimensions: 61 × 47 cm (24 x 18 1/2 in)
Edition of 35: Ha...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Handmade Paper, Stencil
Opera
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: Ludwig captures the monumental architecture of Paris with the romantic eye of a Parisian. Favre is known for his soft palette, interesting crops and large scale pho...
Category
2010s Interior Prints
Materials
Photographic Paper
"Crystal and Jade" Still Life Lithograph in Ink on Paper
Located in Soquel, CA
"Crystal and Jade" Still Life Lithograph in Ink on Paper
Delicate and detailed lithograph of a crystal glass and jade vase by John Taylor Arms (American, 1887-1953). On the left side of the composition, there is a crystal martini glass, with intricate designs. Next to it is a jade vase or urn, with a carved surface. They are sitting on an ornate tablecloth, with a strand of beads, possibly a rosary.
Numbered ("VI"), inscribed with a dedication ("To Georgiana Brewer and Jasper S. Mathews Jr from Dorothy and John Taylor Arms"), signed ("John Taylor Arms"), and dated ("1940") along the bottom edge.
Presented in a wood frame with an off-white mat.
Frame size: 16.5"H x 14.75"W
Image size: 8.5"H x 7.25"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Interior Prints
Materials
Ink, Lithograph, Paper
Dan Flavin, For Circular Fluorescent Light Of One Wall - Signed Print
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996)
For Circular Fluorescent Light Of One Wall, 1974
Medium: Lithograph on wove paper
Dimensions: 18.5 x 31.5 cm
Edition of 45: Hand-signed, titled and d...
Category
20th Century Minimalist Interior Prints
Materials
Lithograph
Sarah Morris, London - Signed Print, Geometric Abstraction, Hand-Signed
By Sarah Morris
Located in Hamburg, DE
Sarah Morris (American, born 1967)
London, 2012
Medium: Digital print on rag paper with glaze
Dimensions: 38 x 30 cm (14 15/16 x 11 13/16 in)
Edition of 200: Hand-signed and numbered...
Category
21st Century and Contemporary Abstract Geometric Interior Prints
Materials
Digital
Elaine Sturtevant, Duchamp Triptych - Three Signed Prints, Conceptual Art
Located in Hamburg, DE
Elaine Sturtevant (American, 1924-2014)
Duchamp Triptych, 1998
Medium: Two grano lithographs and one silkscreen, all on Rives rag paper
Dimensions: Each 50 x 40 cm (19.75 x 15.75 in)...
Category
20th Century Conceptual Interior Prints
Materials
Lithograph, Screen
BOUQUET
Located in Portland, ME
Hnizdovsky, Jacques. BOUQUET. Tahir 41. Woodcut, 1964. Edition of 150. Signed, titled, dated and numbered 92/150 in pencil. 15 x 18 inches on a sheet 20 x 23 1/2 inches (matted to c....
Category
1960s Interior Prints
Materials
Woodcut
Tick It, Tock It, Turn It True, from: The Blue Guitar
Located in London, GB
This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin.
It is also hand numbered in pencil from the edition of 200, at t...
Category
1970s Interior Prints
Materials
Etching, Aquatint
Christopher Wool, Untitled - Signed Screenprint, Abstract Art, Contemporary Art
Located in Hamburg, DE
Christopher Wool (born 1955 in Chicago)
Untitled, 2016
Screen print, on 270 g/qm vellum Rives
Dimensions: 80.5 × 70 cm
Edition size: unknown
Signature: Hand-signed and dated “WOOL 20...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Screen
Thomas Ruff, Negatives II - Signed Print, Contemporary Photography
By Thomas Ruff
Located in Hamburg, DE
Thomas Ruff (German, b. 1958)
Negatives II, 2016
Medium: Digital pigment print, on rag paper
Dimensions: 70 x 100 cm (25.5 x 39.5 in)
Edition of 40: Hand-signed and numbered on verso...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Digital Pigment
Katharina Grosse, Der Stuhl - Contemporary Art, Abstract Art, Signed Print
Located in Hamburg, DE
Katharina Grosse (German, b. 1961)
Der Stuhl, 2020
Medium: Ditone print on paper
Dimensions: 29.7 × 21 cm (11 7/10 × 8 3/10 in)
Edition of 100: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Digital
JR // Giants, Alain // Lithograph, Street Art, Urban Art, Signed Print
Located in Hamburg, DE
JR (French, b. 1983)
Giants, Alain, April 13, 08.22 P.M., Havana, Cuba, 2019
Medium : 17 colors lithograph on wove paper
Dimensions : 100 x 70 cm (39.5 x 27.5 in)
Edition of 180: Han...
Category
21st Century and Contemporary Street Art Interior Prints
Materials
Lithograph
North View of St. Paul's Cathedral, London English School, 19th century
Located in Middletown, NY
London: Tallis & Co., 1851
Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...
Category
Mid-19th Century English School Interior Prints
Materials
Lithograph, Handmade Paper
Laure Prouvost, Nice To Not Be A Screen - Signed Print, Contemporary Art
Located in Hamburg, DE
Laure Prouvost (French, b. 1978)
Nice to not be a screen, 2020
Medium: Digital pigment print, on Hahnemühle Photo Rag
Dimensions: 54 x 40 cm (21.25 x 15.75 in)
Edition of 20: Hand-si...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Digital Pigment
Sigmar Polke, Bargeld Lacht: Pop Art, Capitalist Realism, Signed Print
By Sigmar Polke
Located in Hamburg, DE
Sigmar Polke (German, 1941 – 2010)
Bargeld Lacht, 2002
Medium: Colour offset and screenprint on cardboard
Dimensions: 70 × 50 cm
Edition of 70 + X: Hand-signed, numbered and dated
Co...
Category
21st Century and Contemporary Pop Art Interior Prints
Materials
Offset, Screen
Erró, Are You Ready - Pigment Print, Pop Art, Signed Print, Narrative Figuration
By Erró
Located in Hamburg, DE
Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932)
Are you ready, 2016
Medium: Pigment print
Dimensions: 115 x 111 cm
Edition of 60 + 35 EA: Hand-signed and numbered
Condition: Exc...
Category
21st Century and Contemporary Pop Art Interior Prints
Materials
Pigment
Peter Halley, Cartoon Explosion - Abstract Art, Minimalism, Signed Print
By Peter Halley
Located in Hamburg, DE
PETER HALLEY (American, b. 1953)
Cartoon Explosion, 1999
Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued)
Dimensions: 49.21 x 12.60 in (125....
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Digital Pigment
MacDonald of Glengarry (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacDonald of Glengarry (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of desc...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Elizabeth Peyton, The Kiss - Etching, Contemporary Art, Signed Print
Located in Hamburg, DE
Elizabeth Peyton (American, b. 1965)
The Kiss, 2018
Medium: Etching on wove paper
Dimensions: 33 x 37 cm
Edition of 30: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Linocut
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Interior Prints
Materials
Aquatint, Engraving, Handmade Paper
Daniel Richter, Untitled (Paris Sexy 65) - Signed Screenprint, Collage
Located in Hamburg, DE
Daniel Richter (German, born 1962)
Untitled (from 11 Screenprints), 2019
Medium: Screenprint on paper
Dimensions: 59.4 x 42 cm
Edition of 11: Hand-signed and numbered
Condition: Exce...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Screen
Damien Hirst 'H13-1 Deadman’s Cove -2023' Signed & numbered
By Damien Hirst
Located in Pembroke Pines, FL
Artsist: Damien Hirst
Title: 'H13-1 Deadman's Cove"
Year: 2023
Medium: Laminated Giclee print on aluminium composite panel
Size: 47.2 x 35.4 Inches
Edition: 131/346
Numbered and hand...
Category
2010s Abstract Expressionist Interior Prints
Materials
Giclée
Frank Stella, Sidi Ifni (from Hommage à Picasso) - Signed Print, Minimalism
By Frank Stella
Located in Hamburg, DE
Frank Stella (American, b. 1936)
Sidi Ifni (from Hommage à Picasso), 1973
Medium: Lithograph in colors, on wove paper
Dimensions: 22 × 30 in (55.8 × 76.2 cm)
Edition of 90 + XXX + 15...
Category
20th Century Abstract Interior Prints
Materials
Lithograph
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
LADY OF FASHION II
By Peter Max
Located in Aventura, FL
Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....
Category
1980s Pop Art Interior Prints
Materials
Paper, Lithograph
Jonas Wood - Large Shelf Still Life
By Jonas Wood
Located in Central, HK
Jonas Wood
Large Shelf Still Life, 2017
Offset lithograph in colors on smooth wove paper
23 × 23 in 58.42 × 58.42 cm
Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...
Category
2010s Interior Prints
Materials
Paper
Antique American Modernist Portrait Signed Limited Edition Serigraph Interlude
By Will Barnet
Located in Buffalo, NY
Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.
Category
1980s Modern Interior Prints
Materials
Screen
Jaipur Lake Pavilion
Located in Greenwich, CT
Jaipur Lake Pavilion is a serigraph on paper measuring 24 x 27 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XXX/CC ...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
The Jacobite Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Jacobite Tartan
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
IN HIS GARDEN
By Peter Max
Located in Aventura, FL
Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....
Category
1980s Pop Art Interior Prints
Materials
Lithograph, Paper
Once upon a time in London, Morning, Woodcut print, Vincent Van Gogh, Sunflowers
Located in Deddington, GB
A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh in his bedroom with his dog. Sunflowers appear in the background, brightening up a blue and purple room.
Additional information:
Mychael Barratt
Once upon a time in London, Morning
Woodcut on paper
Signed and titled in pencil
Numbered from the edition of 100
Image size
Height: 27.5 cm
Width: 27 cm
Complete size of sheet
Height: 39.6 cm
Width: 37.5 cm
Depth: 0.2 cm
ARTIST PROFILE: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...
Category
2010s Contemporary Interior Prints
Materials
Paper, Woodcut
Untitled (Fisherman), Etching and Aquatint, British Artist, Contemporary Art
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh)
Untitled (Fisherman), 2005
Medium: Etching and aquatint in colors, on vellum
Dimensions: 39.5 x 30 cm (57 x 45.5 cm)
Edition of 35: Hand signed, d...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching, Aquatint
These Enhanced Techniques, Abstract Art, Contemporary Art, 21st Century
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950)
These Enhanced Techniques, 2012
Medium: Black pulp on white handmade paper, stenciled
Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in)
Edition: From the...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Handmade Paper, Stencil, Other Medium
La Chambre En Luminance, Corneille
Located in Fairfield, CT
Artist: Guillaume Corneille (1923-2010)
Title: La Chambre En Luminance
Year: 1979
Medium: Lithograph on wove paper
Edition: 77/250, plus proofs
Size: 19.50 x 25.50 inches
Condition: ...
Category
1970s Pop Art Interior Prints
Materials
Lithograph
Wade Guyton, Untitled (MAY, Thursday, August 3, 2017 Last Update), Signed Prints
By Wade Guyton
Located in Hamburg, DE
Wade Guyton (American, b. 1972)
Untitled (MAY, Thursday, August 3, 2017 Last Update), 2017
Medium: 4 sheets of Epson DURABrite inkjet on letterhead (on office paper)
Dimensions: each...
Category
21st Century and Contemporary Interior Prints
Materials
Inkjet
The Clan Colquhoun (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan Colquhoun (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
André Butzer, Pastrami - Signed Print, Etching, Abstract, Expressionism
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Pastrami), 2019/2022
Medium: Etching in colors on wove paper
Dimensions: 43 x 33 cm
Edition of 15: Hand-signed, numbered and dated in pencil
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching
Georg Baselitz, Winterschlaf I: Etching and Aquatint, Abstract Art, Signed Print
Located in Hamburg, DE
Georg Baselitz (German, born 1938)
Winterschlaf I, 2014
Medium: Line etching and sugar lift aquatint on wove paper
Dimensions: 69 x 82 cm
Edition of 10: Hand-signed, numbered and dat...
Category
21st Century and Contemporary Neo-Expressionist Interior Prints
Materials
Etching, Aquatint
Gloria Hendry in "James Bond 007 - Live and let die", UK 1973
Located in Cologne, DE
Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973.
Actors: Roger Moore and Jane Saymour, Gloria Hendry
Keywords: James Bond, 007, action, Thriller, Great Britain, a...
Category
1970s Modern Interior Prints
Materials
Silver Gelatin
David Shrigley, The Biggest Hottest Chilli In The World, 2023
Located in Manchester, GB
David Shrigley
The Biggest Hottest Chilli In The World, 2023
12 colour screenprint with varnish overlay
29 9/10 × 22 in (76 × 56 cm)
Edition of 125
David Shrigley’s drawings, paint...
Category
2010s Contemporary Interior Prints
Materials
Screen
Rupprecht Geiger, Bluish Red and Blue-Black - Abstract Art, Signed Print
Located in Hamburg, DE
Rupprecht Geiger (German, 1908 – 2009)
Bluish Red and Blue-Black, 1961
Medium: Screenprint on cardboard
Dimensions: 16.7 x 20.6 cm
Framed dimensions: 31.4 x 27.5 x 2.9 cm
Edition of ...
Category
20th Century Abstract Interior Prints
Materials
Screen
"Moms Pitcher" - Giclee Print on Canvas
Located in Soquel, CA
"Moms Pitcher" - Giclee Print on Canvas
Giclee still life titled "Moms Pitcher," depicting a blue and white pitcher next to a bundle of freshly cut sunflowers by Coraly Hanson (American, b. 1950). A white and blue table cloth lays under the freshly cut flowers, with red handled snips next to them. A deep purple encapsulates the background.
Signed "Coraly '05 1/6" lower right.
Presented in a giltwood frame.
Frame: 16"H x 18"W
Image: 7.5"H x 9.5"W
Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...
Category
Early 2000s American Impressionist Interior Prints
Materials
Giclée, Panel, Canvas
Bridgetown (Caribbean Daydreams)
Located in Greenwich, CT
Bridgetown from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, ...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT
Located in Culver City, CA
"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT
Print. Signed and numbered by the artist.
ABOUT THE ARTIST:
By compiling concepts from multiple philosophies, DOT’s Art...
Category
21st Century and Contemporary Abstract Geometric Interior Prints
Materials
Canvas, Screen
Greenwich Window I
Located in Bournemouth, Dorset
Joanna Irvin
Greenwich Window 1
Etching A/P
Image: 15 x 10
Mount 27.0 x 22.0 cm
Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...
Category
2010s Interior Prints
Materials
Etching, Aquatint
Damien Hirst, Earth (from The Elements): Signed Print, Abstract Art, Butterflies
By Damien Hirst
Located in Hamburg, DE
Damien Hirst (British, born 1965)
Earth (from The Elements, H6-6), 2020
Medium: Diasec-mounted giclée print on aluminium composite panel
Dimensions: 100 x 100 cm (39 3/8 x 39 3/8 in)...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Plexiglass, Giclée
THE BREAK OF DAY Signed Woodcut, Black Woman Reading Letter, Lavender Dress
By Otto Neals
Located in Union City, NJ
THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...
Category
Early 2000s Contemporary Interior Prints
Materials
Woodcut
Untitled (Leporello), Abstract Art, Minimalism, Conceptual Art
By Daniel Buren
Located in Hamburg, DE
Daniel Buren (French, born 1938)
Untitled (Leporello), 2009
Medium: 10-part leporello, digital pigment print on 188 g Hahnemühle Photo Rag paper
Dimensions: 250 x 32 cm (98½ x 12½ in...
Category
21st Century and Contemporary Minimalist Interior Prints
Materials
Digital Pigment
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
Rupprecht Geiger, Blue-Black and Bluish Red - Abstract Art, Signed Print
Located in Hamburg, DE
Rupprecht Geiger (German, 1908 – 2009)
Blue-Black and Bluish Red, 1961
Medium: Screenprint on cardboard
Dimensions: 16.7 x 20.6 cm
Framed dimensions: 31.4 x 27.5 x 2.9 cm
Edition of ...
Category
20th Century Abstract Interior Prints
Materials
Screen
The Oval Office limited edition political button for Clinton-Gore
Located in New York, NY
ROY LICHTENSTEIN
Clinton Gore (Limited Edition Campaign Button), 1992
Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein)
1 3/...
Category
1990s Pop Art Interior Prints
Materials
Metal
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